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Autorem obrazu je Winslow Homer<\/i><\/p>\n
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Lid\u00e9 pot\u0159ebuj\u00ed p\u0159\u00edb\u011bhy, pot\u0159ebuj\u00ed dobr\u00e1 a siln\u00e1 vypr\u00e1v\u011bn\u00ed, dnes mo\u017en\u00e1 v\u00edc ne\u017e kdy jindy. Pot\u0159ebuj\u00ed ale knihy? Nepotk\u00e1 brzy knihu stejn\u00fd osud jako t\u0159eba rump\u00e1l, parn\u00ed motor \u010di magnetofon? Co bude na\u0161\u00edm hlavn\u00edm pramenem p\u0159\u00edb\u011bh\u016f v technologicky nekompromisn\u00ed dob\u011b?<\/p>\n
P\u0159ed sedmi lety vytvo\u0159il n\u00e1vrh\u00e1\u0159 Karl Lagerfeld spolu s avantgardn\u00edm parfum\u00e9rem Gezou Schoenem limitovanou edici parf\u00e9mu s n\u00e1zvem The Paper Passion. Parf\u00e9m m\u011bl vzd\u00e1vat hold tomu jedin\u00e9mu okam\u017eiku, kdy otev\u0159eme \u010derstv\u011b vyti\u0161t\u011bnou knihu a nasajeme jej\u00ed v\u016fni. Mo\u017en\u00e1 \u017ee tak nechceme v\u0161ichni von\u011bt \u2013 ale v\u0161ichni alespo\u0148 p\u0159ibli\u017en\u011b v\u00edme, o jak\u00e9m okam\u017eiku je \u0159e\u010d. Skoro ka\u017ed\u00fd z n\u00e1s aspo\u0148 jednou dr\u017eel v\u00a0ruce knihu, na kterou se t\u011b\u0161il a jej\u00ed\u017e \u010dten\u00ed neza\u010dalo prvn\u00edm slovem, ale \u0161ust\u011bn\u00edm pap\u00edru p\u0159i ot\u00e1\u010den\u00ed prvn\u00ed str\u00e1nky a nas\u00e1t\u00edm aromatu, v n\u011bm\u017e se m\u00edchaj\u00ed slo\u017eky tiska\u0159sk\u00e9 barvy, pap\u00edru a na\u0161eho nedo\u010dkav\u00e9ho o\u010dek\u00e1v\u00e1n\u00ed.<\/p>\n
Ti\u0161t\u011bn\u00e1 kniha u\u017e p\u0159e\u017eila n\u00e1jezd r\u00e1dia, audioknih, televize, filmov\u00e9ho pr\u016fmyslu, elektronick\u00fdch \u010dte\u010dek, soci\u00e1ln\u00edch m\u00e9di\u00ed, kabelov\u00e9 televize, po\u010d\u00edta\u010dov\u00fdch her a brzy nepochybn\u011b masov\u00e9ho roz\u0161\u00ed\u0159en\u00ed virtu\u00e1ln\u00ed reality. To m\u016f\u017ee b\u00fdt zd\u00e1nliv\u011b nesouvisl\u00fd v\u00fd\u010det, u n\u011bho\u017e si mo\u017en\u00e1 neum\u00edme p\u0159edstavit jin\u00e9ho spole\u010dn\u00e9ho jmenovatele ne\u017e to, \u017ee to jsou m\u00e9dia, kter\u00e1 se \u201euch\u00e1zej\u00ed\u201c o n\u00e1\u0161 \u010das. Tato \u0159ada m\u00e1 v\u0161ak i jin\u00e9ho spole\u010dn\u00e9ho jmenovatele: jsou to nosi\u010de p\u0159\u00edb\u011bh\u016f (a kdo si nap\u0159\u00edklad mysl\u00ed, \u017ee dne\u0161n\u00ed d\u011bti hraj\u00ed videohry jen kv\u016fli \u201est\u0159\u00edle\u010dk\u00e1m\u201c, tomu uniklo, kam se tento obor, jeho\u017e rozpo\u010det i zisky u\u017e d\u00e1vno p\u0159ed\u010dily filmov\u00fd pr\u016fmysl, vyvinul).<\/p>\n
Je p\u0159e\u010dten\u00fd p\u0159\u00edb\u011bh jin\u00fd, kdy\u017e do n\u00e1s vstoupil o\u010dima z knihy, kterou jsme bezd\u011bky osah\u00e1vali sv\u00fdmi prsty a jej\u00ed\u017e pap\u00edr jsme \u010dichali? Je jin\u00fd, kdy\u017e jsme ho sly\u0161eli u\u0161ima jako rozhlasovou hru? Je jin\u00fd, kdy\u017e je nahran\u00fd a my si pou\u0161t\u00edme jeho reprodukci t\u0159eba v podob\u011b audioknihy nebo televizn\u00edho seri\u00e1lu, a jin\u00fd, kdy\u017e jsme osobn\u011b a p\u0159\u00edmo p\u0159\u00edtomni u jeho povst\u00e1v\u00e1n\u00ed t\u0159eba v divadle? Je jin\u00fd, kdy\u017e jsme t\u00e9m\u011b\u0159 jedn\u00edm z akt\u00e9r\u016f jako v nejmodern\u011bj\u0161\u00edch videohr\u00e1ch? Ka\u017ed\u00e9 z m\u00e9di\u00ed umo\u017e\u0148uje jin\u00e9 interpretace p\u0159\u00edb\u011bhu a ty samoz\u0159ejm\u011b zcela jin\u00e9 jsou.<\/p>\n
Kone\u010dn\u011b, proto se jen velmi neochotn\u011b smi\u0159ujeme s\u00a0filmov\u00fdm zpracov\u00e1n\u00edm a castingem na\u0161ich obl\u00edben\u00fdch kni\u017en\u00edch hrdin\u016f, a v\u011bt\u0161inou jsme zanech\u00e1ni s pocitem, \u017ee takhle jsme si to teda opravdu nep\u0159edstavovali! Leckdy m\u00e1me dojem, \u017ee n\u00e1s filmov\u00ed tv\u016frci \u201eoloupili\u201c o na\u0161e pracn\u011b vytvo\u0159en\u00e9 fantazie nebo \u017ee prost\u011b oni na rozd\u00edl od n\u00e1s nic nepochopili.<\/p>\n
Ti\u0161t\u011bn\u00e1 kniha na n\u00e1s klade nejv\u011bt\u0161\u00ed n\u00e1roky sv\u00fdm smyslov\u00fdm minimalismem. Vlastn\u011b m\u00e1me jen slova a vlastn\u00ed p\u0159edstavivost, \u017e\u00e1dn\u00e9 audio ani vizu\u00e1ln\u00ed vjemy \u2013 to v\u0161echno si mus\u00edme vytvo\u0159it sami. Ale o kolik smyslupln\u011bj\u0161\u00ed se n\u00e1m to pak m\u016f\u017ee jevit! O kolik v\u00edc se p\u0159\u00edb\u011bh pak t\u00fdk\u00e1 n\u00e1s samotn\u00fdch!<\/p>\n
O kolik v\u00edc jsme se s n\u00edm propojili a o kolik v\u00edc tedy na n\u00e1s m\u016f\u017ee p\u016fsobit, kolik v\u00edc pro n\u00e1s znamenat! A co teprve kdy\u017e se jedn\u00e1 o velk\u00fd, hlubok\u00fd, lidsky d\u016fle\u017eit\u00fd p\u0159\u00edb\u011bh! P\u0159\u00edb\u011bh, jeho\u017e autor zahl\u00e9dl alternativu k tomu, jak \u017eijeme te\u010f, p\u0159enesl n\u00e1s do jin\u00e9 doby, jin\u00e9ho m\u00edsta, jin\u00fdch mo\u017enost\u00ed. Je mo\u017en\u00e9, \u017ee u modern\u00edch technologi\u00ed n\u00e1m je p\u0159\u00edb\u011bh naserv\u00edrov\u00e1n pod nos a\u017e p\u0159\u00edli\u0161, \u017ee n\u00e1m auto\u0159i nejen otv\u00edraj\u00ed nov\u00e9 dve\u0159e a obzory, ale \u017ee n\u00e1s tak\u00e9 v\u0161ude vod\u00ed tak\u0159\u00edkaj\u00edc za ru\u010di\u010dku? Kde\u017eto v\u00a0kni\u017en\u00ed podob\u011b jsou n\u00e1m dve\u0159e uk\u00e1z\u00e1ny a mo\u017en\u00e1 otev\u0159eny, ale do nov\u00fdch krajin vstupujeme sami a\u017e t\u00edm, \u017ee se mus\u00edme pod\u00edlet na jejich spoluvytv\u00e1\u0159en\u00ed?<\/p>\n
Je vlastn\u011b z\u00e1zrak, co v\u0161echno u\u017e knihy od sv\u00e9ho vzniku ust\u00e1ly, \u010demu v\u0161emu odolaly, a\u0165 u\u017e se na v\u011bc d\u00edv\u00e1me historicky, politicky, \u010di z pohledu technologie. Na druh\u00e9 stran\u011b, sub specie aeternitatis, knihy nejsou na sv\u011bt\u011b \u017e\u00e1dnou oslniv\u011b dlouhou dobu. Astrofyzik Carl Sagan se na kni\u017en\u00ed p\u0159\u00edsp\u011bvek lidsk\u00e9 historii d\u00edv\u00e1 z pohledu \u010dasu hv\u011bzd, ne lid\u00ed, kdy\u017e trefn\u011b \u0159\u00edk\u00e1, \u017ee po 99 procent lidsk\u00e9ho \u017eivota na Zemi nikdo neum\u011bl \u010d\u00edst ani ps\u00e1t a jedin\u00e9, co bylo k dispozici, byla bu\u010f zku\u0161enost z prvn\u00ed ruky, nebo vypr\u00e1v\u011bn\u00ed tak trochu stylem \u201etich\u00e1 po\u0161ta\u201c.<\/p>\n
Po stovky generac\u00ed se ka\u017ed\u00e1 informace p\u0159irozen\u011b pomalu p\u0159ekrucovala, ztr\u00e1cela a p\u0159irozen\u00fdm v\u00fdvojem se st\u00e1vala n\u011b\u010d\u00edm \u00fapln\u011b jin\u00fdm. To se zm\u011bnilo s knihami \u2013 psan\u00e1 informace n\u00e1hle z\u00edskala jakousi historickou pevnost. I nad\u00e1le sice byla vystavena prom\u011bn\u00e1m, zp\u016fsoben\u00fdm rozd\u00edln\u00fdmi v\u00fdklady a interpretacemi, ale p\u0159ece jen z\u00edskala jak\u00e9si pevn\u011bj\u0161\u00ed obrysy a stala se stabiln\u011bj\u0161\u00edm mostem mezi minulost\u00ed a budoucnost\u00ed.<\/p>\n
Knihy, kter\u00e9 jsou dnes dostupn\u00e9 ka\u017ed\u00e9mu za t\u00e9m\u011b\u0159 symbolick\u00fd poplatek (uv\u011bdomujeme si v\u016fbec, jak nesamoz\u0159ejm\u00fd historick\u00fd v\u00fdvoj to byl?!), se staly jakousi z\u00e1sob\u00e1rnou lidsk\u00e9 moudrosti a lidsk\u00e9ho sna\u017een\u00ed. Saganov\u00fdmi slovy \u201en\u00e1m umo\u017e\u0148uj\u00ed vysl\u00fdchat minulost s vysokou m\u00edrou p\u0159esnosti: pono\u0159it se do moudrosti lidsk\u00e9ho druhu: pochopit \u00fahel pohledu druh\u00e9ho a nejen t\u011bch, kdo jsou zrovna u moci: kontemplovat spolu s nejlep\u0161\u00edmi u\u010diteli vhledy leckdy z\u00edskan\u00e9 z p\u0159\u00edrody jen s velkou bolest\u00ed a n\u00e1mahou: nahl\u00e9dnout do nejv\u011bt\u0161\u00edch mysl\u00ed, kter\u00e9 kdy existovaly na cel\u00e9 planet\u011b a v cel\u00e9 na\u0161\u00ed historii\u201c.<\/p>\n
Mo\u017en\u00e1 m\u011bl pravdu spisovatel Herman Hesse, kter\u00fd napsal dlouho p\u0159edt\u00edm, ne\u017e si sv\u011bt v\u016fbec dovedl p\u0159edstavit internet, \u017ee se o budoucnost knihy nemus\u00edme ob\u00e1vat. \u201ePr\u00e1v\u011b naopak, \u010d\u00edm v\u00edc jsou ur\u010dit\u00e9 pot\u0159eby z\u00e1bavy a vzd\u011bl\u00e1v\u00e1n\u00ed uspokojeny jin\u00fdmi vyn\u00e1lezy, t\u00edm v\u00edc kniha z\u00edsk\u00e1 zp\u011bt svou d\u016fstojnost a autoritu.\u201c Knihy jako nositelky p\u0159\u00edb\u011bh\u016f jsou z\u00e1rove\u0148 tak\u00e9 nositelky lidsk\u00fdch tajemstv\u00ed a nejtajn\u011bj\u0161\u00edch z\u00e1kout\u00ed lidsk\u00fdch du\u0161\u00ed. Nejeden autor se p\u0159izn\u00e1v\u00e1 k tomu, \u017ee do sv\u00fdch knih nap\u00ed\u0161e a \u201eschov\u00e1\u201c v\u011bci, kter\u00e9 by nikdy nikomu nedok\u00e1zal sv\u011b\u0159it na\u017eivo, tv\u00e1\u0159\u00ed v tv\u00e1\u0159. Sv\u00fdm zp\u016fsobem jsou knihy realisti\u010dt\u011bj\u0161\u00ed podobou lidsk\u00fdch \u017eivot\u016f ne\u017e \u017eivoty \u201eskute\u010dn\u00e9\u201c.<\/p>\n
\u201eKniha mus\u00ed b\u00fdt sekerou na zamrzl\u00e9 mo\u0159e v n\u00e1s,\u201c napsal Franz Kafka. Nejl\u00e9pe to snad v\u011bd\u00ed d\u011bti, proto\u017ee ty na rozd\u00edl od dosp\u011bl\u00fdch nemohou sv\u00e9 podm\u00ednky nijak z\u00e1sadn\u011b zm\u011bnit.<\/p>\n
Pro kolik d\u011bt\u00ed se u\u017e knihy staly \u00falevnou schov\u00e1va\u010dkou, mo\u017enost\u00ed \u00fat\u011bku nebo nad\u011bjn\u00fdm poselstv\u00edm a horizontem nov\u00fdch mo\u017enost\u00ed, kam mohly vykro\u010dit z ne v\u017edy p\u0159\u00edzniv\u00fdch okolnost\u00ed<\/p>\n
sv\u00fdch d\u011btsk\u00fdch \u017eivot\u016f. Nesledovali jsme snad s \u00fa\u017easem, kolik d\u011bt\u00ed dok\u00e1zalo sedm knih o Harrym Potterovi odv\u00e9st od televizn\u00edch obrazovek a po\u010d\u00edta\u010dov\u00fdch displej\u016f mezi \u0161ustiv\u00e9 str\u00e1nky a v\u016fni tiska\u0159sk\u00e9 barvy? Kolik d\u011bt\u00ed se no\u0159ilo mezi dv\u011b str\u00e1nky, aby \u201eprosko\u010dily\u201c knihou a vystoupily na druh\u00e9 stran\u011b ob\u00e1lky v Bradavic\u00edch! Kolik dosp\u011bl\u00fdch otev\u00edralo ka\u017ed\u00fd ve\u010der jeden ze \u010dty\u0159 rom\u00e1n\u016f Eleny Ferrante z cyklu Geni\u00e1ln\u00ed p\u0159\u00edtelkyn\u011b, aby se ocitli v zapr\u00e1\u0161en\u00e9 Neapoli, m\u00edsto aby si pustili televizi nebo brouzdali na soci\u00e1ln\u00edch s\u00edt\u00edch. N\u011bkde n\u011bkdo te\u010f sed\u00ed s\u00e1m u stolu a p\u00ed\u0161e. P\u00ed\u0161e dal\u0161\u00ed knihu, kter\u00e1 o\u010daruje mo\u017en\u00e1 hrstku \u010dten\u00e1\u0159\u016f, mo\u017en\u00e1 miliony. N\u011bkde n\u011bkdo p\u00ed\u0161e p\u0159\u00edb\u011bh, u kter\u00e9ho nebudeme cht\u00edt, aby n\u00e1m byl naserv\u00edrov\u00e1n v\u0161emi smysly a\u017e pod nos. P\u0159\u00edb\u011bh, u kter\u00e9ho n\u00e1s neopoj\u00ed to, \u017ee n\u00e1m d\u00e1 \u201ejen\u201c to, co chceme, ale kter\u00fd n\u00e1s nau\u010d\u00ed, co m\u00e1me pot\u0159ebovat.<\/p>\n
N\u011bkde n\u011bkdo bude vypr\u00e1v\u011bt p\u0159\u00edb\u011bh tak, \u017ee zatou\u017e\u00edme po tom, abychom prosko\u010dili vo\u0148av\u00fdmi str\u00e1nkami a ocitli se na druh\u00e9 stran\u011b ve sv\u011bt\u011b, za jeho\u017e spolutvorbu budeme vzru\u0161uj\u00edc\u00edm zp\u016fsobem zodpov\u011bdn\u00ed.<\/p>\n
N\u011bkde pr\u00e1v\u011b te\u010f vznik\u00e1 kniha…<\/p>\n
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\u010cl\u00e1nek vy\u0161el v magaz\u00ednu Page, \u00fanor 2019<\/i><\/p>\n
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Co odpov\u011bd\u011bl David Bowie na ot\u00e1zku, co je pro n\u011bj dokonal\u00e9 \u0161t\u011bst\u00ed? \u010cten\u00ed.<\/p>\n","protected":false},"author":2,"featured_media":4463,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-4462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezarazene"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/4462","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=4462"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/4462\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media\/4463"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=4462"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=4462"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=4462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}