{"id":333314,"date":"2026-07-10T09:00:00","date_gmt":"2026-07-10T07:00:00","guid":{"rendered":"https:\/\/www.luxor.cz\/blog\/?p=333314"},"modified":"2026-07-09T13:20:19","modified_gmt":"2026-07-09T11:20:19","slug":"haruki-murakami-maratonec-ve-svete-snu","status":"publish","type":"post","link":"https:\/\/www.luxor.cz\/blog\/magazin-luxor\/haruki-murakami-maratonec-ve-svete-snu\/","title":{"rendered":"HARUKI MURAKAMI: MARATONEC VE\u00a0SV\u011aT\u011a SN\u016e"},"content":{"rendered":"\n

Vst\u00e1v\u00e1 ve \u010dty\u0159i r\u00e1no, aby dodr\u017eel svou p\u0159\u00edsnou denn\u00ed rutinu. Mezi psan\u00edm rom\u00e1n\u016f a b\u011bh\u00e1n\u00edm d\u011bl\u00e1 oby\u010dejn\u00e9 dom\u00e1c\u00ed pr\u00e1ce, s\u00e1m \u017eehl\u00ed nebo myje n\u00e1dob\u00ed. Haruki Murakami, hv\u011bzda japonsk\u00e9 literatury, m\u00e1 na kont\u011b ji\u017e p\u0159es \u010dty\u0159icet knih a nepolevuje v nastolen\u00e9m tempu vypr\u00e1v\u011bt dal\u0161\u00ed p\u0159\u00edb\u011bhy. Pro\u010d? \u201eZkr\u00e1tka a dob\u0159e, pravda nesetrv\u00e1v\u00e1 v klidu, je v neust\u00e1l\u00e9m pohybu. Pr\u00e1v\u011b v tom mo\u017en\u00e1 spo\u010d\u00edv\u00e1 podstata vypr\u00e1v\u011bn\u00ed,\u201c \u0159\u00edk\u00e1 jeden z nejv\u00fdznamn\u011bj\u0161\u00edch spisovatel\u016f sou\u010dasnosti.<\/strong><\/p>\n\n\n\n

Nev\u00edm, kolik dal\u0161\u00edch rom\u00e1n\u016f je\u0161t\u011b dok\u00e1\u017eu napsat,\u201c \u0159ekl letos v \u00fanoru \u010dasopisu The New York Times. \u201eM\u00e1m pocit, \u017ee toho zvl\u00e1dnu v\u00edc, proto\u017ee psan\u00ed beletrie je tak \u00fa\u017easn\u00e9, je to jako prozkoum\u00e1v\u00e1n\u00ed sebe sama. I kdy\u017e jsem zest\u00e1rl, st\u00e1le je tu prostor pro objevov\u00e1n\u00ed.\u201c V posledn\u00edch letech nabralo Murakamiho psan\u00ed filozofi\u010dt\u011bj\u0161\u00ed a reflexivn\u011bj\u0161\u00ed r\u00e1z. Haruki Murakami<\/a><\/strong> ve sv\u00e9 novince M\u011bsto a jeho nejist\u00e9 zdi p\u0159in\u00e1\u0161\u00ed melancholick\u00fd a filozofick\u00fd p\u0159\u00edb\u011bh o ztracen\u00e9 l\u00e1sce, hled\u00e1n\u00ed sebe sama a mo\u017enosti p\u0159ekonat zdi, snov\u00e9 i re\u00e1ln\u00e9.<\/p>\n\n\n\n

PSAN\u00cd JAKO SKOK DO NEZN\u00c1MA<\/strong><\/h2>\n\n\n\n

\u201eP\u0159\u00edb\u011bh p\u0159ite\u010de zevnit\u0159 jak\u00fdmisi speci\u00e1ln\u00edmi kan\u00e1ly. Nen\u00ed t\u0159eba d\u011blat nic v\u00edc, sta\u010d\u00ed se jen dostat do proudu. Nikdy jsem nem\u011bl v \u00famyslu st\u00e1t se spisovatelem \u2013 alespo\u0148 do sv\u00fdch dvaceti dev\u00edti let,\u201c \u0159ekl v interview pro \u010dasopis The New York Times. Jeho vstup na liter\u00e1rn\u00ed sc\u00e9nu byl sp\u00ed\u0161 z\u00e1sah bleskem ne\u017e v\u011bdom\u00e9 kari\u00e9rn\u00ed rozhodnut\u00ed. Dnes, ve sv\u00fdch 77 letech, z\u00e1\u0159\u00ed na vrcholu sv\u011btov\u00e9ho liter\u00e1rn\u00edho Olympu, p\u0159esto\u017ee se jeho tv\u016fr\u010d\u00ed metoda za t\u00e9m\u011b\u0159 p\u016fl stolet\u00ed nezm\u011bnila.<\/p>\n\n\n\n

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PRAVDA NESETRV\u00c1V\u00c1 V KLIDU, JE V NEUST\u00c1L\u00c9M POHYBU.<\/p>\n<\/blockquote>\n\n\n\n

Kdy\u017e si sedne k psac\u00edmu stolu, skute\u010dn\u011b netu\u0161\u00ed, co se v p\u0159\u00edb\u011bhu bude d\u00edt d\u00e1l. Pro autora, kter\u00fd prodal des\u00edtky milion\u016f v\u00fdtisk\u016f a jeho\u017e jm\u00e9no se ka\u017edoro\u010dn\u011b sklo\u0148uje v souvislosti s Nobelovou cenou, je to fascinuj\u00edc\u00ed p\u0159izn\u00e1n\u00ed. Zat\u00edmco tvo\u0159\u00ed, d\u011bj\u00ed se zvl\u00e1\u0161tn\u00ed v\u011bci velmi p\u0159irozen\u011b a automaticky. S\u00e1m Murakami se nepova\u017euje za klasick\u00e9ho intelektu\u00e1la. Vn\u00edm\u00e1 se jako oby\u010dejn\u00fd mu\u017e, jeho\u017e v\u00fdjime\u010dnou schopnost\u00ed je sestoupit do sf\u00e9ry podv\u011bdom\u00ed a vr\u00e1tit se zp\u011bt s ucelen\u00fdm vypr\u00e1v\u011bn\u00edm.<\/p>\n\n\n\n

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M\u011aSTO BEZ VLASTN\u00cdHO ST\u00cdNU<\/strong><\/h2>\n\n\n\n

Jeho nejnov\u011bj\u0161\u00ed rom\u00e1n s n\u00e1zvem M\u011bsto a jeho nejist\u00e9 zdi<\/strong><\/a> p\u0159edstavuje v autorov\u011b tvorb\u011b unik\u00e1tn\u00ed miln\u00edk. Nejde jen o dal\u0161\u00ed polo\u017eku v bibliografii, ale o vyrovn\u00e1n\u00ed se s vlastn\u00edm liter\u00e1rn\u00edm st\u00ednem. Z\u00e1klad tohoto p\u0159\u00edb\u011bhu toti\u017e polo\u017eil ji\u017e v roce 1980 v podob\u011b novely, se kterou v\u0161ak nebyl nikdy spokojen. C\u00edtil, \u017ee tehdy nem\u011bl dostatek technick\u00fdch dovednost\u00ed ani \u017eivotn\u00ed moudrosti, aby tak siln\u00e9 t\u00e9ma uchopil spr\u00e1vn\u011b. Trvalo v\u00edce ne\u017e \u010dty\u0159i desetilet\u00ed, ne\u017e se k n\u00e1m\u011btu vr\u00e1til.<\/p>\n\n\n\n

D\u011bj n\u00e1s zav\u00e1d\u00ed do m\u011bsta obehnan\u00e9ho vysok\u00fdmi zdmi, kde lid\u00e9 \u017eij\u00ed bez sv\u00fdch st\u00edn\u016f. St\u00edn je zde metaforou pro lidsk\u00e9 ego, pam\u011b\u0165 a t\u00edhu lidsk\u00e9 existence. Aby mohl \u010dlov\u011bk vstoupit do tohoto izolovan\u00e9ho sv\u011bta, mus\u00ed se nechat sv\u00e9ho st\u00ednu zbavit, co\u017e v autorov\u011b pojet\u00ed znamen\u00e1 ztr\u00e1tu \u010d\u00e1sti sebe sama v\u00fdm\u011bnou za pocit bezpe\u010d\u00ed. Kniha je rozd\u011blena do t\u0159\u00ed \u010d\u00e1st\u00ed. Zat\u00edmco ta prvn\u00ed v\u011brn\u011b kop\u00edruje p\u016fvodn\u00ed n\u00e1m\u011bt o mlad\u00edkovi hledaj\u00edc\u00edm ztracenou l\u00e1sku, dal\u0161\u00ed pas\u00e1\u017ee p\u0159en\u00e1\u0161ej\u00ed d\u011bj do prost\u0159ed\u00ed star\u00e9 knihovny v japonsk\u00e9 provincii Fuku\u0161ima. Zde se t\u00e9ma zd\u00ed st\u00e1v\u00e1 vnit\u0159n\u00edm konfliktem o tom, jak\u00e9 bari\u00e9ry si stav\u00edme kolem sv\u00fdch srdc\u00ed, abychom p\u0159e\u017eili bolestnou ztr\u00e1tu.<\/p>\n\n\n\n

D\u0158\u00cdVE VY\u0160LO: HON NA OVCI<\/h2>\n\n\n\n

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Hlavn\u00ed hrdina rom\u00e1nu \u017eije poklidn\u011b v Tokiu a spoluvlastn\u00ed malou reklamn\u00ed agenturu. \u017divot mu pomalu m\u00edj\u00ed pod rukama a on toho od n\u011bj u\u017e ani moc ne\u010dek\u00e1. Sta\u010d\u00ed v\u0161ak, aby jejich firma otiskla v reklamn\u00edm let\u00e1ku nevinnou fotografii krajinky s ovcemi a hrdina se ocit\u00e1 na necht\u011bn\u00e9 inicia\u010dn\u00ed pouti kamsi do \u201esrdce temnoty\u201c sou\u010dasn\u00e9ho Japonska\u2026 Ne\u010dekan\u011b ho vyhled\u00e1 jist\u00e1 organizace a on pod pohr\u016f\u017ekou n\u00e1sil\u00ed putuje nedobrovoln\u011b na ostrov Hokkaid\u00f3, aby tam za ka\u017edou cenu na\u0161el tajemnou ovci s hv\u011bzdou na h\u0159bet\u011b\u2026<\/p>\n<\/div>\n\n\n\n

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P\u0159e\u010d\u00edst<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

JAZZ, BASEBALL A KUCHY\u0147SK\u00dd ST\u016eL<\/strong><\/h2>\n\n\n\n

Cesta k literatu\u0159e nebyla u Murakamiho p\u0159\u00edmo\u010dar\u00e1. Narodil se v Kj\u00f3tu v roce 1949 a vyr\u016fstal v K\u00f3be. Jeho rodi\u010de vyu\u010dovali japonskou literaturu, co\u017e v n\u011bm paradoxn\u011b vyvolalo odpor k dom\u00e1c\u00ed tradici. Rad\u011bji ut\u00edkal k z\u00e1padn\u00ed kultu\u0159e, k autor\u016fm jako Hemingway \u010di Fitzgerald, a p\u0159edev\u0161\u00edm k jazzu. V sedmdes\u00e1t\u00fdch letech provozoval se svou \u017eenou Joko jazzov\u00fd klub Peter Cat v Tokiu. \u017divot barov\u00e9ho majitele, zakou\u0159en\u00e9 noci a neust\u00e1l\u00fd p\u0159\u00edsun hudby formovaly jeho styl v\u00edce ne\u017e cokoli jin\u00e9ho.<\/p>\n\n\n\n

Z\u00e1sadn\u00ed zlom p\u0159i\u0161el 1. dubna 1978 b\u011bhem baseballov\u00e9ho z\u00e1pasu na stadionu D\u017eing\u00fa. Ve chv\u00edli, kdy p\u00e1lka\u0159 Dave Hilton odp\u00e1lil double, poc\u00edtil Murakami n\u00e1hl\u00e9 vnuknut\u00ed, \u017ee by mohl napsat rom\u00e1n. Prvn\u00ed knihu, Poslouchej, jak zp\u00edv\u00e1 v\u00edtr, tvo\u0159il po noc\u00edch u kuchy\u0148sk\u00e9ho stolu. Proto\u017ee se mu neda\u0159ilo naj\u00edt ten spr\u00e1vn\u00fd v\u00fdraz v japon\u0161tin\u011b, za\u010dal ps\u00e1t anglicky a v\u011bty n\u00e1sledn\u011b p\u0159ekl\u00e1dal zp\u011bt. T\u00edm vznikl jeho pov\u011bstn\u00fd \u00fasporn\u00fd a p\u0159\u00edmo\u010dar\u00fd styl, kter\u00fd byl v Japonsku zpo\u010d\u00e1tku p\u0159ij\u00edm\u00e1n s ned\u016fv\u011brou jako p\u0159\u00edli\u0161 z\u00e1padn\u00ed.<\/p>\n\n\n\n

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DISCIPL\u00cdNA JAKO CESTA K P\u0158E\u017dIT\u00cd<\/strong><\/h2>\n\n\n\n

Psan\u00ed je pro n\u011bj fyzick\u00e1 aktivita vy\u017eaduj\u00edc\u00ed stejnou v\u00fddr\u017e jako maraton. Bez fyzick\u00e9 s\u00edly by podle sv\u00fdch slov nedok\u00e1zal \u010delit temnot\u011b, kterou ve sv\u00fdch d\u00edlech vyvol\u00e1v\u00e1. Voln\u00fd \u010das pak v\u011bnuje poslechu vinyl\u016f, jeho sb\u00edrka \u010d\u00edt\u00e1 p\u0159es 10 000 kus\u016f. V posledn\u00edch letech musel spisovatel \u010delit v\u00e1\u017en\u00e9 nemoci, kter\u00e1 ot\u0159\u00e1sla jeho p\u0159\u00edsnou rutinou. M\u011bs\u00edc byl upoutan\u00fd na l\u016f\u017eko a v\u00fdrazn\u011b zhubl, co\u017e byl pro mu\u017ee, kter\u00fd des\u00edtky let ka\u017ed\u00fd den b\u011bh\u00e1 a plave, \u0161ok. Tuto zku\u0161enost n\u00e1sledn\u011b popsal jako druh zmrtv\u00fdchvst\u00e1n\u00ed. Tato ud\u00e1lost se prom\u00edtla i do jeho aktu\u00e1ln\u00edch text\u016f, kter\u00e9 jsou sice melancholi\u010dt\u011bj\u0161\u00ed, ale z\u00e1rove\u0148 v nich lze c\u00edtit nov\u00fd druh optimismu a empatie. Liter\u00e1rn\u00ed zdi v jeho p\u0159\u00edb\u011bz\u00edch toti\u017e nejsou neprostupn\u00e9, jsou sp\u00ed\u0161e v\u0159elou pozv\u00e1nkou k prozkoum\u00e1n\u00ed tich\u00e9 krajiny na\u0161\u00ed vlastn\u00ed du\u0161e<\/p>\n\n\n\n

M\u011aSTO A JEHO NEJIST\u00c9 ZDI<\/strong><\/h2>\n\n\n\n

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P\u0159e\u010d\u00edst<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n
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Dlouho o\u010dek\u00e1van\u00fd rom\u00e1n voln\u011b navazuje na autorovu star\u0161\u00ed novelu z roku 1980 a tematicky se prol\u00edn\u00e1 s jeho kultovn\u00edm d\u00edlem Konec sv\u011bta & Hard-boiled Wonderland. Bezejmenn\u00fd vyprav\u011b\u010d se v sedmn\u00e1cti letech zamiluje do d\u00edvky, kter\u00e1 tvrd\u00ed, \u017ee jej\u00ed skute\u010dn\u00e9 j\u00e1 existuje v tajemn\u00e9m m\u011bst\u011b za zd\u00ed. Kdy\u017e d\u00edvka n\u00e1hle zmiz\u00ed, hrdina hled\u00e1 cestu za n\u00ed. Aby mohl do tohoto paraleln\u00edho sv\u011bta v\u016fbec vstoupit, mus\u00ed se odd\u011blit od sv\u00e9ho st\u00ednu. Ve m\u011bst\u011b se st\u00e1v\u00e1 \u010dten\u00e1\u0159em star\u00fdch sn\u016f v tajemn\u00e9 knihovn\u011b, kde d\u00edvku znovu potk\u00e1 \u2013 ta ho v\u0161ak u\u017e nepozn\u00e1v\u00e1. Nakonec se mu v dosp\u011blosti poda\u0159\u00ed vr\u00e1tit se do re\u00e1ln\u00e9ho sv\u011bta, aby na\u0161el smysl \u017eivota.<\/p>\n<\/div>\n<\/div>\n\n\n\n

UK\u00c1ZKA Z NOVINKY<\/strong><\/h2>\n\n\n\n

V na\u0161em skute\u010dn\u00e9m sv\u011bt\u011b bydl\u00edme j\u00e1 a ty pom\u011brn\u011b daleko od sebe. Ne zas a\u017e tolik daleko, ale ani ne tak bl\u00edzko, abych t\u011b mohl j\u00edt nav\u0161t\u00edvit hned, jakmile se mi zamane. Sta\u010d\u00ed, kdy\u017e sednu na vlak a jedu se dv\u011bma p\u0159estupy asi tak p\u016fldruh\u00e9 hodiny, a u\u017e jsem ve m\u011bst\u011b, kde \u017eije\u0161. A ani jedno z m\u011bst, v kter\u00fdch bydl\u00edme, nen\u00ed obehn\u00e1no vysok\u00fdmi zdmi. Tak\u017ee ho samoz\u0159ejm\u011b m\u016f\u017eeme opou\u0161t\u011bt a zase do n\u011bj p\u0159ich\u00e1zet, jak se n\u00e1m jen zl\u00edb\u00ed. J\u00e1 \u017eiju na tich\u00e9m p\u0159edm\u011bstsk\u00e9m s\u00eddli\u0161ti jen kousek od mo\u0159e, ty zase v centru mnohem v\u011bt\u0161\u00edho ru\u0161n\u00e9ho velkom\u011bsta. To l\u00e9to chod\u00edm do t\u0159et\u00ed a ty do druh\u00e9 na vy\u0161\u0161\u00ed st\u0159edn\u00ed. J\u00e1 na m\u00edstn\u00ed a ve\u0159ejnou st\u0159edn\u00ed, ty na soukromou d\u00edv\u010d\u00ed ve sv\u00e9m m\u011bst\u011b. Z n\u011bkolika r\u016fzn\u00fdch d\u016fvod\u016f se spolu re\u00e1ln\u011b setk\u00e1v\u00e1me jednou nebo dvakr\u00e1t do m\u011bs\u00edce, asi tak n\u011bjak. Vych\u00e1z\u00ed to zhruba na st\u0159\u00edda\u010dku: jednou j\u00e1 nav\u0161t\u00edv\u00edm tvoje m\u011bsto, pak zase ty p\u0159ijde\u0161 do m\u00e9ho m\u011bsta. Kdy\u017e m\u00e1m nav\u0161t\u00edvit tvoje m\u011bsto, jdeme do par\u010d\u00edku u va\u0161eho domu nebo do ve\u0159ejn\u00e9 botanick\u00e9 zahrady. Ve kter\u00e9 se sice plat\u00ed vstupn\u00e9, hned u sklen\u00edku je ale mal\u00e1 kav\u00e1rna, ve kter\u00e9 nikdy nen\u00ed moc plno, a to je na\u0161e obl\u00edben\u00e9 m\u00edsto. Objedn\u00e1me si tam k\u00e1vu a jable\u010dn\u00fd dort\u00edk (co\u017e je pro n\u00e1s trochu p\u0159epych) a m\u016f\u017eeme se zabrat do tich\u00e9ho rozhovoru jenom ve dvou.<\/p>\n\n\n\n

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HARUKI MURAKAMI (* 1949)<\/strong><\/h2>\n\n\n\n

V roce 1973 absolvoval tokijskou univerzitu Waseda, m\u00edsto toho, aby se zaj\u00edmal o st\u00e1l\u00e9 zam\u011bstn\u00e1n\u00ed u n\u011bkter\u00e9 velk\u00e9 spole\u010dnosti, u\u010dinil doslova revolu\u010dn\u00ed krok a otev\u0159el si na p\u0159edm\u011bst\u00ed Tokia jazzov\u00fd bar. Kdy\u017e se z n\u00e1hl\u00e9ho popudu rozhodl a za\u010dal ps\u00e1t sv\u016fj prvn\u00ed rom\u00e1n, t\u011b\u017eko mohl n\u011bkdo tu\u0161it, jak v\u00fdznamn\u00fdm autorem se z\u00e1hy stane. Roku 1987 vy\u0161el rom\u00e1n Norsk\u00e9 d\u0159evo<\/a><\/strong> \u2013 nez\u00edskal liter\u00e1rn\u00ed ocen\u011bn\u00ed, ale p\u0159ekonal v\u0161echny rekordy, proto\u017ee jen v Japonsku se knihy prodalo v\u00edce ne\u017e \u010dty\u0159i miliony v\u00fdtisk\u016f. Podobn\u00fd \u00fasp\u011bch m\u011bly pak i dal\u0161\u00ed jeho pr\u00e1ce, nap\u0159\u00edklad Kafka na pob\u0159e\u017e\u00ed, Sputnik, m\u00e1 l\u00e1ska nebo Mu\u017ei, kte\u0159\u00ed nemaj\u00ed \u017eeny. V \u0159\u00edjnu 2006 byla autorovi v Praze ud\u011blena Cena Franze Kafky<\/p>\n\n\n\n

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Vst\u00e1v\u00e1 ve \u010dty\u0159i r\u00e1no, aby dodr\u017eel svou p\u0159\u00edsnou denn\u00ed rutinu. Mezi psan\u00edm rom\u00e1n\u016f a b\u011bh\u00e1n\u00edm d\u011bl\u00e1 oby\u010dejn\u00e9 dom\u00e1c\u00ed pr\u00e1ce, s\u00e1m \u017eehl\u00ed nebo myje n\u00e1dob\u00ed. Haruki Murakami, hv\u011bzda japonsk\u00e9 literatury, m\u00e1 na […]<\/p>\n","protected":false},"author":14,"featured_media":333388,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[21655],"tags":[21645,36,21802],"class_list":["post-333314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin-luxor","tag-beletrie","tag-knihy","tag-magazin-luxor"],"acf":{"related_products":false},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/333314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=333314"}],"version-history":[{"count":13,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/333314\/revisions"}],"predecessor-version":[{"id":333394,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/333314\/revisions\/333394"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media\/333388"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=333314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=333314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=333314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}