{"id":329139,"date":"2012-11-01T00:00:00","date_gmt":"2012-10-31T23:00:00","guid":{"rendered":"https:\/\/www.luxor.cz\/blog\/nezarazene\/petr-cornej-historie-nezna-kdyby\/"},"modified":"2012-11-01T00:00:00","modified_gmt":"2012-10-31T23:00:00","slug":"petr-cornej-historie-nezna-kdyby","status":"publish","type":"post","link":"https:\/\/www.luxor.cz\/blog\/rozhovor\/petr-cornej-historie-nezna-kdyby\/","title":{"rendered":"Petr \u010cornej: Historie nezn\u00e1 kdyby&#8230;"},"content":{"rendered":"<div style=\"text-align: left;\"><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><strong><img decoding=\"async\" style=\"float: right;\" src=\"\/Content\/Images\/uploaded\/petr cornej.jpg\" alt=\"\" width=\"173\" height=\"261\" title=\"\"><\/strong>Letos na podzim vyd&aacute;v&aacute; Nakladatelstv&iacute; JOTA a B4U Publishing unik&aacute;tn&iacute; knihu s n&aacute;zvem <span style=\"color: #003d7c;\"><strong><a href=\"\/Kniha\/ceske-dejiny\"><span style=\"color: #003d7c;\">\u010cesk&eacute; d\u011bjiny<\/span><\/a><\/strong><\/span>, kter&aacute; nem&aacute; v \u010cesk&eacute; republice konkurenci. V&yacute;pravnou historii \u010desk&yacute;ch zem&iacute; napsal renomovan&yacute; autor a historik prof. PhDr. <strong>Petr \u010cornej<\/strong>, CSc. Jej&iacute; luxusn&iacute; d&aacute;rkov&eacute; balen&iacute; nab&iacute;z&iacute; neot\u0159el&yacute; pohled na \u010deskou historii v politick&yacute;ch i kulturn&iacute;ch souvislostech. V&scaron;echna fakta a ud&aacute;losti jsou p\u0159ehledn\u011b rozd\u011bleny do sedmdes&aacute;ti &scaron;esti kapitol v celkem &scaron;esti d\u011bjinn&yacute;ch celc&iacute;ch. Krom\u011b mimo\u0159&aacute;dn\u011b bohat&eacute; obrazov&eacute; p\u0159&iacute;lohy \u010d&iacute;taj&iacute;c&iacute; p\u0159es 400 fotografi &iacute; a dokument\u016f najdete v d&aacute;rkov&eacute;m boxu 34 st\u011b\u017eejn&iacute;ch historick&yacute;ch dokument\u016f. V souvislosti s publikac&iacute; \u010cesk&eacute; d\u011bjiny jsme polo\u017eili n\u011bkolik ot&aacute;zek jej&iacute;mu autorovi. Poj\u010fte p\u0159e\u010d&iacute;st, co n&aacute;m Petr \u010cornej o sv&eacute; knize i o sob\u011b prozradil.<\/span><\/div>\n<p><strong><em><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Jak byste p\u0159edstavil knihu \u010cesk&eacute; d\u011bjiny t\u011bm, kdo o n&iacute; zat&iacute;m v\u016fbec nic nev\u011bd&iacute;?<\/span><\/em><\/strong><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">To nen&iacute; snadn&aacute; ot&aacute;zka. Nejlep&scaron;&iacute; by bylo, aby si p\u0159&iacute;padn&yacute; z&aacute;jemce knihu osahal a prohl&eacute;dl p\u0159&iacute;mo v knihkupectv&iacute;. Stejn&yacute; d\u016fraz jako na sd\u011bln&yacute; a p\u0159&iacute;stupn&yacute; text jsem kladl na obrazovou dokumentaci, kter&aacute; tvo\u0159&iacute; ned&iacute;lnou sou\u010d&aacute;st publikace. Ale asi jako prvn&iacute; padnou ka\u017ed&eacute;mu do oka v\u011brn&eacute; fotokopie st\u011b\u017eejn&iacute;ch historick&yacute;ch dokument\u016f. V tomto propojen&iacute; t\u0159&iacute; slo\u017eek spo\u010d&iacute;v&aacute; podle m&eacute;ho soudu hlavn&iacute; novum kn&iacute;\u017eky.<\/span><\/p>\n<p><strong><em><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Nakladatelstv&iacute; JOTA a B4U Publishing, kter&eacute; titul vyd&aacute;vaj&iacute;, uv&aacute;d\u011bj&iacute;, \u017ee va&scaron;e kniha poskytuje nov&yacute; pohled na \u010desk&eacute; d\u011bjiny v politick&yacute;ch souvislostech. Znamen&aacute; to, \u017ee vysv\u011btlujete \u010dten&aacute;\u0159\u016fm, jak&yacute; dopad m\u011bla n\u011bkter&aacute; rozhodnut&iacute; na dal&scaron;&iacute; v&yacute;voj v \u010desk&yacute;ch zem&iacute;ch?<\/span><\/em><\/strong><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Tady mus&iacute;m va&scaron;i ot&aacute;zku doplnit a zp\u0159esnit. Nesleduji pouze \u010desk&eacute; d\u011bjiny politick&yacute;ch, ale tak&eacute; v &scaron;ir&scaron;&iacute;ch civiliza\u010dn&iacute;ch a kulturn&iacute;ch souvislostech, tedy tak, jak jsem zvykl&yacute; je vykl&aacute;dat vysoko&scaron;kolsk&yacute;m poslucha\u010d\u016fm. Pr&aacute;v\u011b civiliza\u010dn&iacute; prom\u011bny jsou podle m&eacute;ho m&iacute;n\u011bn&iacute; nejzaj&iacute;mav\u011bj&scaron;&iacute;m a asi nejd\u016fle\u017eit\u011bj&scaron;&iacute;m historick&yacute;m probl&eacute;mem. Pochopiteln\u011b, \u017ee v p\u0159&iacute;pad\u011b uzlov&yacute;ch d\u011bjinn&yacute;ch bod\u016f \u010di kl&iacute;\u010dov&yacute;ch moment\u016f jsem se musel alespo\u0148 stru\u010dn\u011b dotknout jejich d\u016fsledk\u016f pro budoucnost. Z&aacute;m\u011brn\u011b v&scaron;ak nekomentuji r\u016fzn&eacute; varianty, kter&eacute; se neprosadily. Ty ochotn\u011b ponech&aacute;v&aacute;m odborn&iacute;k\u016fm na takzvan&eacute; virtu&aacute;ln&iacute; d\u011bjiny.<\/span><\/p>\n<p><em><strong><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Jak vznikl n&aacute;pad p\u0159ilo\u017eit k \u010cesk&yacute;m d\u011bjin&aacute;m 34 v&yacute;zna\u010dn&yacute;ch dokument\u016f s kl&iacute;\u010dov&yacute;m v&yacute;znamem pro \u010desk&yacute; st&aacute;t?<\/span><\/strong><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">P\u0159izn&aacute;v&aacute;m, \u017ee nepoch&aacute;z&iacute; z m&eacute; hlavy. P\u0159i&scaron;el s n&iacute;m pan Old\u0159ich R\u016f\u017ei\u010dka z nakladatelstv&iacute; B4U Publishing. Inspirovala ho podobn&aacute;, i kdy\u017e obsahov\u011b a v&yacute;tvarn\u011b pon\u011bkud jinak \u0159e&scaron;en&aacute; publikace o anglick&yacute;ch d\u011bjin&aacute;ch.<\/span><\/p>\n<p><em><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\"><strong>Kter&yacute; historick&yacute; okam\u017eik \u010desk&yacute;ch d\u011bjin osobn\u011b pova\u017eujete za nejv\u011bt&scaron;&iacute; omyl nebo za omyl s nejv\u011bt&scaron;&iacute;mi n&aacute;sledky?<\/strong> <\/span><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Neformuloval bych ot&aacute;zku zrovna v t&eacute;to podob\u011b. Je obt&iacute;\u017en&eacute; mluvit o d\u011bjinn&yacute;ch omylech, nebo\u0165 ka\u017ed&aacute; ud&aacute;lost, i tragick&aacute;, je sou\u010dinem a z&aacute;rove\u0148 vy&uacute;st\u011bn&iacute;m n\u011bkolika p\u0159&iacute;\u010din. Rad\u011bji mluv&iacute;m o osudov&yacute;ch, p\u0159evratn&yacute;ch \u010di smutn&yacute;ch momentech. Ale to je m\u016fj osobn&iacute; pohled, podm&iacute;n\u011bn&yacute; m&yacute;m b&aacute;d&aacute;n&iacute;m, m&yacute;mi zku&scaron;enostmi a m&yacute;m hodnotov&yacute;m sv\u011btem. Mn\u011b i mnoha m&yacute;m genera\u010dn&iacute;m vrstevn&iacute;k\u016fm samoz\u0159ejm\u011b nejv&iacute;ce zas&aacute;hl do \u017eivota srpen 1968 a n&aacute;sledn&eacute; obdob&iacute; normalizace, kter&eacute; zhatilo p\u0159edchoz&iacute; nad\u011bje. M\u016fj \u017eivot by se jist\u011b vyv&iacute;jel jinak. Jen\u017ee historie nezn&aacute; kdyby&#8230;<\/span><\/p>\n<p><em><strong><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Co je podle va&scaron;eho n&aacute;zoru v sou\u010dasnosti nejv\u011bt&scaron;&iacute;m celospole\u010densk&yacute;m probl&eacute;mem?<\/span><\/strong><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Nejhor&scaron;&iacute; je op\u011btovn&aacute; propast mezi n&aacute;zory a postoji v\u011bt&scaron;iny obyvatel, kter&yacute;m chyb&iacute; odvaha otev\u0159en\u011b se postavit proti nepravostem, a vl&aacute;dn&iacute; garniturou, domn&iacute;vaj&iacute;c&iacute; se, \u017ee j&iacute; volebn&iacute; v&yacute;sledky daly mand&aacute;t k autokratick&eacute;mu postupu, a zapom&iacute;naj&iacute;c&iacute;, \u017ee skute\u010dn&aacute; demokracie je neust&aacute;l&yacute; dialog a hled&aacute;n&iacute; konsensu.<\/span><\/p>\n<p><em><strong><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">\u010cemu se v\u011bnujete, kdy\u017e nepracujete?<\/span><\/strong><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Nejrad\u011bji chod&iacute;m po hor&aacute;ch, ale v posledn&iacute; dob\u011b jsem sv&eacute; toulky kv\u016fli zdravotn&iacute;m probl&eacute;m\u016fm musel omezit. Kdysi jsem r&aacute;d chodil i na fotbal, ov&scaron;em atmosf&eacute;ra na stadionech m&aacute; daleko do \u010das\u016f m&eacute;ho ml&aacute;d&iacute;, nav&iacute;c jsem byl zvykl&yacute; d&iacute;vat se na &scaron;pi\u010dkov&eacute; hr&aacute;\u010de, ale ti dnes p\u016fsob&iacute; p\u0159ev&aacute;\u017en\u011b v zahrani\u010d&iacute;. Samoz\u0159ejm\u011b \u010dtu, v&yacute;b\u011brov\u011b sleduji zaj&iacute;mav&eacute; filmy, hodn\u011b \u010dasu jsem tr&aacute;vil se psem, kter&yacute; mi ned&aacute;vno um\u0159el. Jinak moje pracovn&iacute; v&yacute;konnost u\u017e nen&iacute; takov&aacute; jako d\u0159&iacute;v, t\u011blo i o\u010di se st&aacute;le \u010dast\u011bji bou\u0159&iacute; proti p\u0159ep&iacute;n&aacute;n&iacute;.<\/span><\/p>\n<p><em><strong><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Jak&yacute; \u017e&aacute;nr r&aacute;d \u010dtete, kdy\u017e zrovna nesb&iacute;r&aacute;te materi&aacute;l pro dal&scaron;&iacute; studii \u010di knihu? Kdo je v&aacute;&scaron; obl&iacute;ben&yacute; autor?<\/span><\/strong><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">\u010ctu r&aacute;d sou\u010dasnou \u010deskou pr&oacute;zu, t\u0159eba Petra &Scaron;abacha, Milo&scaron;e Urbana, Jaroslava Rudi&scaron;e, v&yacute;b\u011brov\u011b tak&eacute; Michala Viewegha, proti n\u011bmu\u017e m&aacute; liter&aacute;rn&iacute; kritika ne v\u017edy opodstatn\u011bn&eacute; v&yacute;hrady. Probl&eacute;mem v&scaron;ech t\u011bchto autor\u016f je v&scaron;ak o\u010dividn&aacute; um\u011bleck&aacute; nevyrovnanost, d\u016fsledek tlaku nakladatelstv&iacute;, aby ka\u017ed&yacute; rok vydali jednu kn&iacute;\u017eku. Takov&yacute; n&aacute;por bez &uacute;jmy na kvalit\u011b nevydr\u017e&iacute; nikdo. \u010casto se vrac&iacute;m ke Kunderovi, Hrabalovi, &Scaron;kvoreck&eacute;mu, k nepr&aacute;vem zapom&iacute;nan&eacute;mu Fuksovi, ale tak&eacute; k Pol&aacute;\u010dkovi a Ha&scaron;kovi. Relaxuji u klasick&yacute;ch detektivek, na nich\u017e si byst\u0159&iacute;m &uacute;sudek a pramennou kritiku. Obvykle pozn&aacute;m, kdo je vrah.<br \/><\/span><br \/><em><strong><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Jak vypad&aacute; v&aacute;&scaron; obvykl&yacute; pracovn&iacute; den?<\/span><\/strong><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Cel&yacute; \u017eivot vst&aacute;v&aacute;m mezi p\u016fl sedmou a sedmou. Kdy\u017e nejdu u\u010dit, p&iacute;&scaron;u od osmi hodin do jedn&eacute;, potom se naob\u011bdv&aacute;m a padne na m\u011b &uacute;tlum. Odpoledne b&aacute;d&aacute;m, \u010dtu nebo rediguji, nave\u010der se vyd&aacute;v&aacute;m na proch&aacute;zku. Kdy\u017e nejsem unaven&yacute;, je&scaron;t\u011b \u010dtu nebo opravuji a posuzuji studentsk&eacute; pr&aacute;ce \u010di smol&iacute;m lektorsk&eacute; posudky pro nakladatelstv&iacute;, vysok&eacute; &scaron;koly a v\u011bdeck&eacute; &uacute;stavy. M&yacute;m odpo\u010dinkov&yacute;m dnem je sobota. O pr&aacute;zdnin&aacute;ch se sna\u017e&iacute;m ps&aacute;t minim&aacute;ln\u011b, hlava se mus&iacute; n&aacute;le\u017eit\u011b pro\u010distit. Sportovn&iacute; aktivity pak prokl&aacute;d&aacute;m \u010detbou titul\u016f, na n\u011b\u017e ve &scaron;koln&iacute;m roce nen&iacute; \u010das.<\/span><\/p>\n<p><em><strong><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">D\u011bkujeme mnohokr&aacute;t za va&scaron;e odpov\u011bdi i za v&aacute;&scaron; \u010das. Na z&aacute;v\u011br v&aacute;m ponech&aacute;me prostor, pokud byste cht\u011bl n\u011bco vzk&aacute;zat \u010dten&aacute;\u0159\u016fm \u010dasopisu KNIHCENTRUM revue&#8230;<\/span><\/strong><\/em><br \/><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Lid&eacute;, \u010dt\u011bte knihy! \u010cetba v&aacute;s kultivuje, obohacuje va&scaron;e vyjad\u0159ovac&iacute; schopnosti, roz&scaron;i\u0159uje v&aacute;&scaron; kulturn&iacute; obzor a p\u0159isp&iacute;v&aacute; ke kritick&eacute;mu my&scaron;len&iacute;, kter&eacute; je nejlep&scaron;&iacute; pojistkou proti podvodn&iacute;k\u016fm a manipul&aacute;tor\u016fm v&scaron;eho druhu.<\/span><\/p>\n<p><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Jana &Scaron;egonov&aacute;<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Letos na podzim vyd\u00e1v\u00e1 Nakladatelstv\u00ed JOTA a B4U Publishing unik\u00e1tn\u00ed knihu s n\u00e1zvem \u010cesk\u00e9 d\u011bjiny, kter\u00e1 nem\u00e1 v \u010cesk\u00e9 republice konkurenci. V\u00fdpravnou historii \u010desk\u00fdch zem\u00ed napsal renomovan\u00fd autor a historik prof. PhDr. Petr \u010cornej, CSc.<\/p>\n","protected":false},"author":2,"featured_media":329140,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[8],"tags":[21848],"class_list":["post-329139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rozhovor","tag-revue"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/329139","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=329139"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/329139\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media\/329140"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=329139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=329139"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=329139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}