Kon\u010dila 70. l\u00e9ta a do kinematografie vstoupilo d\u00edlo, kter\u00e9 v n\u00ed zanechalo stopu. Je v\u011bt\u0161\u00ed, ne\u017e by si n\u011bkte\u0159\u00ed (div\u00e1ci) cht\u011bli p\u0159ipustit. George Miller v Austr\u00e1lii nat\u00e1\u010d\u00ed film \u0160\u00edlen\u00fd Max<\/i> o policistovi, z n\u011bho\u017e se vinnou tragick\u00fdch ud\u00e1lost\u00ed, stane osam\u011bl\u00fd bojovn\u00edk putuj\u00edc\u00ed po pra\u0161n\u00fdch cest\u00e1ch. Dramaturgie neopl\u00fdv\u00e1 ni\u010d\u00edm, co bychom neznali u\u017e z d\u0159\u00edv\u011bj\u0161\u00edch sn\u00edmc\u00edch o pomst\u011b. Dokonce by se dalo vyhm\u00e1tnout ze zp\u016fsobu vypr\u00e1v\u011bn\u00ed hned n\u011bkolik prova\u0159en\u00fdch kli\u0161\u00e9. A styl sice fascinuje sv\u00fdm opr\u00fdskan\u00fdm vizu\u00e1lem a vytun\u011bn\u00fdmi vozidly (a zvukem), nicm\u00e9n\u011b nadsazenou hudebn\u00ed partiturou, hl\u00e1\u0161kami a jejich ztv\u00e1rn\u011bn\u00edm m\u016f\u017ee vzbuzovat a\u017e \u0161kodolib\u00fd \u00fasm\u011bv. P\u0159esto tehdy v roce 1979 \u0160\u00edlen\u00fd Max<\/i> zabodoval. Miller dal o sob\u011b v\u011bd\u011bt a stejn\u011b tak na sebe upozornil mlad\u00ed\u010dek se jm\u00e9nem Mel Gibson…<\/p>\n
Uplynuly dva roky a premi\u00e9ru si odbylo pokra\u010dov\u00e1n\u00ed, kter\u00e9 dok\u00e1zalo, \u017ee s Gibsonov\u00fdm charismatem bude t\u0159eba po\u010d\u00edtat \u2013 v Hollywoodu, pota\u017emo na pl\u00e1tnech kin i na na\u0161ich televizn\u00edch obrazovk\u00e1ch. Ale p\u0159edev\u0161\u00edm zpracovalo sv\u011bt v jeho postapokalyptick\u00e9 podob\u011b natolik zaj\u00edmav\u011b, \u017ee dal\u0161\u00ed a dal\u0161\u00ed tituly se od Maxe u\u010dily.\u00a0<\/p>\n
A\u017e v roce 1985 Miller nato\u010dil t\u0159et\u00ed, z\u00e1v\u011bre\u010dn\u00fd d\u00edlek voln\u00e9 trilogie. S podtitulem D\u00f3m hromu<\/i> rozpracov\u00e1v\u00e1 neveselou vizi budoucnosti je\u0161t\u011b s d\u016frazn\u011bj\u0161\u00edm prokreslen\u00edm. Ne\u0161et\u0159\u00ed na kost\u00fdmech, sv\u00e9r\u00e1zn\u00fdch voz\u00edtk\u00e1ch, na kovu, na p\u00edsku, na akci a tentokr\u00e1t vlastn\u011b ani ne na humoru. U\u0161pin\u011bn\u00fd Max dokonce kon\u010d\u00ed s nad\u011bjn\u00fdmi vyhl\u00eddkami, snad proto, aby Millera nikdo neobvinil ze sadistick\u00fdch choutek, jimi\u017e n\u00e1m, div\u00e1k\u016fm, bude k\u00e1zat o tom, jak jsme pouh\u00fdmi trapn\u00fdmi figurkami na \u0161achovnici, kter\u00e1 ve sv\u00e9 h\u0159e nem\u016f\u017ee dopadnout dob\u0159e.<\/p>\n
<\/p>\n
Tak \u010di tak, vznikla t\u0159ilogie \u0160\u00edlen\u00e9ho Maxe<\/i>, u n\u00ed\u017e se net\u0159eba ost\u00fdchat s u\u017eit\u00edm sl\u016fvka kult. P\u0159i sledov\u00e1n\u00ed dnes, s odstupem \u010dasu a bez ambic\u00ed zapojovat jednotliv\u00e1 d\u00edla do kontextu sv\u011btov\u00e9 kinematografie, mohou filmy p\u016fsobit n\u011b\u010d\u00edm naivn\u011b, dost bude z\u00e1le\u017eet na va\u0161\u00ed schopnosti radovat se z b\u00e9\u010dkovosti, kter\u00e1 z trilogie p\u0159\u00edmo te\u010de. M\u00e1m v\u0161ak za to, \u017ee velmi sympatick\u00e9 b\u00e9\u010dkovosti. Miller\u016fv koncept p\u0159\u00edli\u0161 nepo\u010d\u00edt\u00e1 s moralizov\u00e1n\u00edm nad smyslem a budoucnost\u00ed na\u0161\u00ed existence. On, coby autor to vlastn\u011b v\u016fbec nehrot\u00ed a filmy prakticky ani nemaj\u00ed \u017e\u00e1dn\u00fd po\u0159\u00e1dn\u00fd p\u0159\u00edb\u011bh. Prvn\u00ed d\u00edl je o sad\u011b honi\u010dek na silnic\u00edch a o vykonan\u00e9 pomst\u011b, dal\u0161\u00ed dva maj\u00ed primitivn\u00ed konflikt, na kter\u00fd se nabal\u00ed \u0159ada v\u00edce m\u00e9n\u011b (sp\u00ed\u0161e v\u00edce) efektn\u011b vypadaj\u00edc\u00edch bitek, \u00faprk\u016f, gest i slov. Gibson zde m\u00e1 funkci p\u016fsobit heroicky, ale bez patosu, nebezpe\u010dn\u011b, ale tak, abychom se v p\u0159\u00edpad\u011b pot\u0159eby neob\u00e1vali za n\u00edm dob\u011bhnout a poprosit o to, aby za n\u00e1s n\u011bkoho odpr\u00e1sknul. Bude v\u00e1s bavit se na n\u011bj koukat. Gibson se zde zat\u00edm nesna\u017e\u00ed moc hr\u00e1t, by\u0165 ve t\u0159et\u00edm d\u00edle u\u017e prosakuje p\u00e1r mimick\u00fdch etud, kter\u00e9 bude postupem \u010dasu v r\u00e1mci sv\u00e9 filmografie ve dramatick\u00fdch momentech posilovat.\u00a0<\/p>\n
Hudebn\u00ed kompozici si m\u016f\u017eete pustit i bez obrazu, vlastn\u011b je mnohdy sv\u00e9r\u00e1zn\u011bj\u0161\u00ed ne\u017e obsah z\u00e1b\u011br\u016f, a\u017e t\u0159et\u00ed d\u00edl ji odleh\u010duje a v\u00edce slou\u017e\u00ed dramaturgii. Ale v\u016fbec t\u00edm nejzaj\u00edmav\u011bj\u0161\u00edm rozhodn\u011b z\u016fst\u00e1v\u00e1 v\u00fdtvarn\u00e1 str\u00e1nka trilogie. Souhra k\u016f\u017ee, d\u0159eva, ale p\u0159edev\u0161\u00edm kovu a rzi dominuje obraz\u016fm. Je v n\u011b\u010dem depresivn\u00ed svou za\u0161lost\u00ed a provizornost\u00ed, sou\u010dasn\u011b i fascinuj\u00edc\u00ed. Poutav\u00fd vizu\u00e1l dodnes dr\u017e\u00ed trilogii v mez\u00edch koukatelnosti i v p\u0159\u00edpad\u011b, \u017ee zrovna takov\u00e9 pudov\u011b primitivn\u00ed p\u0159\u00edb\u011bhy nemus\u00edte. A i kdy\u017e se nyn\u00ed do kin chyst\u00e1 dal\u0161\u00ed d\u00edl (nebo remake?), p\u016fvodn\u00ed Max rozhodn\u011b nezapadne a m\u00e1 v d\u011bjin\u00e1ch filmu sv\u00e9 m\u00edsto.\u00a0<\/p>\n
Autor: Luk\u00e1\u0161 Gregor<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"
Max je samot\u00e1\u0159. Bloum\u00e1 australskou pou\u0161t\u00ed, sv\u011bt prakticky neexistuje. Tedy takov\u00fd, jak\u00fd jej zn\u00e1me dnes. Nen\u00ed se proto \u010demu divit, \u017ee Max nen\u00ed \u00fapln\u011b pohodov\u00fd poutn\u00edk…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2946","post","type-post","status-publish","format-standard","hentry","category-recenze"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=2946"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2946\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=2946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=2946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=2946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}