P\u0159edchoz\u00ed \u0159\u00e1dky, je\u017e si vypomohly p\u0159irovn\u00e1n\u00edm k rozbou\u0159en\u00e9 vodn\u00ed hladin\u011b, se nepohybuj\u00ed daleko od reality. V\u017edy\u0165 co m\u016f\u017ee b\u00fdt nevd\u011b\u010dn\u011bj\u0161\u00edho (a tedy riskantn\u011b sv\u00e9hlav\u00e9ho), ne\u017eli pot\u0159eba kriticky reflektovat a mapovat v\u00fdvoj um\u011bn\u00ed, kter\u00fd se v n\u00e1nosu tis\u00edcilet\u00ed jev\u00ed jako batole. A jak lze soudit \u010dlov\u011bka v tak \u00fatl\u00e9m v\u011bku? Ostatn\u011b, nejde snad ani tak o mladost, ale p\u0159edev\u0161\u00edm o nedostate\u010dn\u00fd odstup. Sta\u010d\u00ed si vzpomenout na skepsi v \u0159e\u010di Jana \u0160vankmajera p\u0159i p\u0159eb\u00edr\u00e1n\u00ed hlavn\u00edho Lva za film Otes\u00e1nek<\/i>, kdy slavn\u00fd tv\u016frce zpochybnil hodnotu takov\u00e9ho ocen\u011bn\u00ed, nebo\u0165 je vlastn\u011b velmi zbrkl\u00e9. Cenu p\u0159id\u011bluje um\u011bleck\u00e9mu d\u00edlu p\u0159edev\u0161\u00edm a\u017e \u010das. Mezera mezi zrodem d\u00edla a t\u00edm, kdy o n\u011bm lze hovo\u0159it v kontextu zbaven\u00e9m spont\u00e1nn\u00ed reakce, koment\u00e1\u0159e st\u00e1le je\u0161t\u011b \u017eiv\u00e9ho.\u00a0<\/p>\n
U\u017e z takov\u00fdch d\u016fvod\u016f se o soudob\u00e9m \u010desk\u00e9m um\u011bn\u00ed p\u00ed\u0161e velmi opatrn\u011b (a nebo prost\u011b nekvalifikovan\u011b a kr\u00e1tkodob\u011b). Ke kriti\u010dt\u011bj\u0161\u00ed a odborn\u00e9 reflexi slou\u017e\u00ed recenze, koment\u00e1\u0159e, anal\u00fdzy a portr\u00e9ty obsa\u017een\u00e9 ve specializovan\u00fdch periodik\u00e1ch, odv\u00e1\u017en\u011bj\u0161\u00ed monografie se sp\u00ed\u0161e schov\u00e1vaj\u00ed, i proto nebylo od v\u011bci pojmenovat mnohostr\u00e1nkovou publikaci vydanou v r\u00e1mci Edice Magnus Art pojmenovat titulem Mezera<\/a>. Skute\u010dn\u011b ji toti\u017e zapl\u0148uje. S jak\u00fdmsi zabej\u010den\u00fdm stylem, kter\u00fd je d\u00e1n nejen obsahovou koncepc\u00ed, ale i grafick\u00fdm zpracov\u00e1n\u00edm, se vrh\u00e1 do meziprostoru, kde prakticky nen\u00ed nic, pouze touha po reflexi a jej\u00ed neomalen\u00e1 n\u00e1podoba. Mezera<\/a> sice nespl\u0148uje v prav\u00e9m slova smyslu odbornou monografii, kter\u00e1 by historii vn\u00edmala jako konkr\u00e9tn\u00ed uzav\u0159en\u00fd celek a mohla si dovolit skute\u010dn\u011b v\u00edce hodnotit d\u00edla, na stranu druhou takov\u00e9 rozhodnut\u00ed knize jen a jen pom\u00e1h\u00e1. Lindaurov\u00e1 s kolektivem toti\u017e na p\u011btadvacet let \u017eivota mlad\u00e9ho \u010desk\u00e9ho um\u011bn\u00ed nahl\u00ed\u017e\u00ed skrze des\u00edtky a\u017e stovky \u00fast\u0159i\u017ek\u016f<\/i>. Mnohdy jen n\u00e1znakov\u00fdch, mnohdy subjektivn\u00edch, spont\u00e1nn\u00edch, opat\u0159en\u00fdch z novin, \u010dasopis\u016f, z web\u016f \u010di katalog\u016f. Mezera<\/a> zapl\u0148uje prostor \u017eiveln\u011b, st\u0159\u00edk\u00e1 do n\u011bj po rozdov\u00e1d\u011bn\u00fdch kapk\u00e1ch d\u00edl\u010d\u00ed koment\u00e1\u0159e k um\u011blc\u016fm, jejich d\u00edl\u016fm, k v\u00fdstav\u00e1m, cen\u00e1m\u2026 Mezera<\/a> provokuje svou ob\u010dasnou lehkomyslnost\u00ed, d\u016fvtipem schovan\u00fdm v grafick\u00e9 rozdov\u00e1d\u011bnosti, ale – skoro by se cht\u011blo \u0159\u00edci: a\u017e paradoxn\u011b – nikdy vlastn\u011b nesch\u00e1z\u00ed hodnota, smysl a napojen\u00ed na v\u00fdznam, kter\u00fd takov\u00e1 kniha m\u00e1 (m\u00edt). Mezera<\/a> toti\u017e skute\u010dn\u011b onu mezeru vypl\u0148uje a d\u00e1v\u00e1 velmi \u017eiv\u00fd p\u0159ehled o tom, co se b\u011bhem uplynul\u00e9ho \u010dtvrtstolet\u00ed na poli \u010desk\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed odehr\u00e1lo.\u00a0<\/p>\n Autor: Luk\u00e1\u0161 Gregor<\/p>\n","protected":false},"excerpt":{"rendered":" Lenka Lindaurov\u00e1 se se sv\u00fdm kolektivem vrhla do rozbou\u0159en\u00e9 hladiny sou\u010dasn\u00e9ho \u010desk\u00e9ho um\u011bn\u00ed. Ne snad s \u00famyslem tuto st\u00e1le \u017eivou vodu uklidnit, ale pokusit se n\u011bkter\u00e9 z vln pojmenovat, pouk\u00e1zat na n\u011b, a to v kontextu v\u0161ech vln okolo. Jej\u00ed rozs\u00e1hl\u00e1 publikace Mezera: Mlad\u00e9 um\u011bn\u00ed v \u010cesku 1990-2014 je odv\u00e1\u017en\u00e1 jako onen p\u00e1d do drav\u00e9 vody.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2768","post","type-post","status-publish","format-standard","hentry","category-recenze"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=2768"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2768\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=2768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=2768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=2768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Hodnocen\u00ed: 90 %<\/h2>\n