Hezk\u00e1 a \u00fatl\u00e1 kniha, o kterou se postaralo v r\u00e1mci edice Fres Eye nakladatelstv\u00ed Labyrint, m\u00e1 od sudi\u010dek do v\u00ednku hned dva z\u00e1kladn\u00ed p\u0159edpoklady pot\u00fdkat se s kritikou:<\/p>\n<\/p>\n<\/p>\n
1) Form\u00e1t sborn\u00edku je na tom obdobn\u011b jako pov\u00eddkov\u00e9 filmy: koncept m\u016f\u017ee b\u00fdt jen v\u00e1gn\u011b naformulov\u00e1n, d\u00edl\u010d\u00ed texty spolu mohou bu\u010fto moc nesouviset, nebo naopak opakovat u\u017e \u0159e\u010den\u00e9. A kvalitativn\u011b se m\u016f\u017eeme v pr\u016fb\u011bhu \u010dten\u00ed pohybovat jakoby na lodi.<\/span><\/p>\n 2) M\u00edt p\u0159ed sebou pole neoran\u00e9 vede autory \u010di editora mnohdy k nejednozna\u010dn\u00e9 specifikaci c\u00edlov\u00e9ho \u010dten\u00e1\u0159e a tak\u00e9 pr\u00e1v\u011b ji\u017e zm\u00edn\u011bn\u00e9 koncepce. Budeme se tak pohybovat sp\u00ed\u0161e v z\u00e1kladn\u00edch obrysech japonsk\u00e9 popkultury, nebo p\u016fjdeme po jednotlivostech a do hloubky?<\/span><\/p>\n<\/p>\n V r\u00e1mci prvn\u00edho bodu samoz\u0159ejm\u011b plat\u00ed i zku\u0161enost, \u017ee form\u00e1t sborn\u00edku v\u0161e m\u016f\u017ee obr\u00e1tit ve svou v\u00fdhodu. \u010cten\u00ed je pest\u0159ej\u0161\u00ed, p\u0159i tendenci se zam\u011b\u0159it sp\u00ed\u0161e na z\u00e1klady pojme v\u011bt\u0161\u00ed okruh t\u00e9mat, p\u0159i \u00famyslu j\u00edt do detail\u016f nab\u00eddne alespo\u0148 p\u00e1r mo\u017en\u00fdch p\u0159\u00edstup\u016f a \u00fahl\u016f pohledu. Made in Japan<\/a> se pohybuje na pomez\u00ed vyu\u017eit\u00e9 nev\u00fdhody ve sv\u016fj prosp\u011bch. U\u017e proto, \u017ee n\u011bkter\u00e9 texty samy o sob\u011b sv\u00e1d\u00ed podobn\u00fd boj uvnit\u0159 kapitol (nap\u0159. hned prvn\u00ed kapitola o otaku). Nen\u00ed proto zcela jasn\u00e9, jestli se auto\u0159i cht\u011bj\u00ed soust\u0159edit na pojmut\u00ed kontextu a v\u00fdvoje (z v\u011bt\u0161\u00ed perspektivy), nebo na anal\u00fdzu konkr\u00e9tn\u00edch probl\u00e9m\u016f\/t\u00e9mat. Citeln\u011b na to nar\u00e1\u017e\u00edme i v p\u0159\u00edpad\u011b eseje Anny K\u0159iv\u00e1nkov\u00e9. Manga j\u00ed d\u00e1v\u00e1 mo\u017enost ub\u00edrat se cestou historick\u00e9ho v\u00fdvoje, aby pak ale autorka zvolila sp\u00ed\u0161e analyti\u010dt\u011bj\u0161\u00ed pohled na mangu kreslenou \u017eensk\u00fdmi autorkami a ukon\u010dila v\u0161e snahou o napojen\u00ed fenom\u00e9nu mang na japonskou spole\u010dnost. <\/p>\n To, co m\u016f\u017ee zn\u00edt jako kritika, pochopiteln\u011b n\u011bkomu bude vyhovovat. A je ot\u00e1zkou, jak moc lze autory za takovou rozt\u0159\u00ed\u0161t\u011bnost, nebo l\u00e9pe \u0159e\u010deno koncep\u010dn\u00ed rozviklanost, obvi\u0148ovat. Pro\u010d? Dost\u00e1v\u00e1me se k bodu 2.<\/p>\n Proto\u017ee t\u00e9mata, jim\u017e se sborn\u00edk v\u011bnuje, se sice v na\u0161em prost\u0159ed\u00ed u\u017e del\u0161\u00ed \u010das prob\u00edraj\u00ed, ale pe\u010dliv\u011bj\u0161\u00edho z\u00e1jmu odborn\u00edku se nedo\u010dk\u00e1vaj\u00ed. Tedy ne v podob\u011b ucelen\u00fdch text\u016f. T\u00fdm podepsan\u00fd pod Made in Japan<\/a> tak balancoval mezi snahou neb\u00fdt vylo\u017een\u011b pro za\u010d\u00e1te\u010dn\u00edky (p\u0159esto se zde ale setk\u00e1me s glos\u00e1\u0159em z\u00e1kladn\u00edch pojm\u016f), sou\u010dasn\u011b jako by se b\u00e1l po\u010d\u00edtat s t\u00edm, \u017ee se \u010dten\u00e1\u0159 v problematice alespo\u0148 \u010d\u00e1ste\u010dn\u011b orientuje a dr\u017eel v rukou \u010dl\u00e1nky nap\u0159\u00edklad z periodika Cinepur<\/i> nebo knihy Anton\u00edna L\u00edmana. <\/p>\n Nejjednozna\u010dn\u011bj\u0161\u00ed p\u0159\u00edstup nakonec zvolil Anton\u00edn Tesa\u0159 a Ji\u0159\u00ed Fl\u00edgl, kte\u0159\u00ed se v\u011bnovali anima\u010dn\u00edmu studiu 4\u00b0C, respektive historick\u00e9mu v\u00fdvoji japonsk\u00e9 kinematografie ve vztahu k Z\u00e1padu. A velmi u\u017eite\u010dn\u00fdm a vnit\u0159n\u011b soudr\u017en\u00fdm textem je i samotn\u00fd \u00favod doc. S\u00fdkory, kter\u00fd s\u00e1m o sob\u011b p\u0159edstavuje d\u016fvod, pro\u010d si Made in Japan<\/a> vz\u00edt do rukou.<\/p>\n Souhrnn\u011b vzato tak sborn\u00edk m\u00e1 symptomy nemoci, kter\u00e1 podobn\u00e9 projekty doprov\u00e1z\u00ed, ale da\u0159\u00ed se mu s nimi z\u00e1pasit tak, aby j\u00ed nepodlehl a stal se dostate\u010dn\u011b vhodn\u00fdm startem pro dal\u0161\u00ed publicisticky \u010dtiv\u00e9 odborn\u00e9 texty v\u011bnovan\u00e9 fascinuj\u00edc\u00edmu vesm\u00edru japonsk\u00e9 popkultury. <\/p>\n (A rozhodn\u011b je t\u0159eba pochv\u00e1lit grafick\u00e9 zpracov\u00e1n\u00ed, kter\u00e9 zaujme, pot\u011b\u0161\u00ed a zp\u0159\u00edjem\u0148uje \u010dten\u00ed.)<\/p>\n Autor: Luk\u00e1\u0161 Gregor<\/p>\n","protected":false},"excerpt":{"rendered":" Japonsk\u00e1 vizu\u00e1ln\u00ed popkultura m\u00e1 sv\u016fj dr\u00e1pek pevn\u011b zachycen\u00fd i v na\u0161em prostoru. P\u0159esto seri\u00f3zn\u00ed \u010desk\u00e1 literatura na toto t\u00e9ma jako by snad ani neexistovala. S \u00famyslem o n\u00e1pravu vych\u00e1z\u00ed sborn\u00edk Made in Japan.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2520","post","type-post","status-publish","format-standard","hentry","category-recenze"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=2520"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2520\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=2520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=2520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=2520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Hodnocen\u00ed: 75 %<\/h2>\n