Woody Allen si tyk\u00e1 s histori\u00ed kinematografie ne proto, \u017ee ka\u017ed\u00fdm rokem uvede do kin nov\u00fd film, ale pro – bez zbyte\u010dn\u00e9 nads\u00e1zky – fascinuj\u00edc\u00ed portfolio hrdin\u016f a hrdinek, t\u00e9mat i motiv\u016f, sob\u011b si vz\u00e1jemn\u011b nevzd\u00e1len\u00fdch, p\u0159esto film od filmu n\u011b\u010d\u00edm origin\u00e1ln\u00edch. Jako by m\u011bl na pomysln\u00e9 polici omezenou sadu ko\u0159en\u00ed, p\u0159esto ka\u017ed\u00e9 z j\u00eddel bylo unik\u00e1tn\u00ed. Jeho filmy se od sebe li\u0161\u00ed nejen onou kombinac\u00ed povah a konflikt\u016f, ale tak\u00e9 m\u00edrou humoru, respektive tragi\u010dnosti. Allen tak p\u0159edstavuje jasn\u011b vyprofilovanou zna\u010dku, kter\u00e1 m\u00e1 v\u0161ak od statick\u00e9ho loga velmi daleko.<\/p>\n<\/p>\n
Pravda, n\u011bkter\u00e9 p\u0159\u00edsp\u011bvky by mohly silnou pozici rozkol\u00edsat, ostatn\u011b, ani Oscarem ohodnocen\u00e1 P\u016flnoc v Pa\u0159\u00ed\u017ei<\/a> zrovna nepat\u0159\u00ed mezi ty nejzaj\u00edmav\u011bj\u0161\u00ed chv\u00edle Allena-tv\u016frce. V nov\u00e9m tis\u00edcilet\u00ed jako by se Allen hledal. Nebo se my ztr\u00e1celi. Z (\u010dasov\u00e9ho) povzd\u00e1l\u00ed se v\u0161ak \u010d\u00edm d\u00e1l t\u00edm v\u00edce zd\u00e1, \u017ee nejen coby scen\u00e1rista, ale i jako\u017eto re\u017eis\u00e9r nikdy nep\u0159estal m\u00edt v\u011bci pln\u011b v rukou a v\u0161e je tak, jak m\u00e1 b\u00fdt. V takov\u00e9m n\u00e1zoru n\u00e1s utvrzuje i ne\u010dekan\u00fdmi v\u00fdboji tv\u016fr\u010d\u00ed invence. Co na tom, \u017ee sc\u00e9n\u00e1\u0159 a vlastn\u011b i zp\u016fsob vypr\u00e1v\u011bn\u00ed v nejnov\u011bj\u0161\u00edm filmu Jasm\u00edniny slzy<\/a> (Blue Jasmine) nep\u0159ekra\u010duj\u00ed hranici tradi\u010dnosti. U Allena zkr\u00e1tka skute\u010dn\u011b plat\u00ed, \u017ee k film\u016fm p\u0159istupuje jako k va\u0159en\u00ed. Opravdu kvalitn\u00ed pokrm neobsahuje vedle sebe v\u00edce p\u0159\u00edli\u0161 siln\u00fdch chut\u00ed. I proto se m\u016f\u017ee jevit od sam\u00e9ho po\u010d\u00e1tku jeho film o neurotick\u00e9 Jasmine jako docela oby\u010dejn\u00fd koment\u00e1\u0159 k n\u011b\u010demu, co u\u017e kdysi Allen, by\u0165 s jin\u00fdmi postavami, \u0159ekl.<\/p>\n Jak v\u0161ak plynou minuty, odkr\u00fdv\u00e1 se hrdinka do takov\u00fdch detail\u016f, \u017ee ban\u00e1ln\u00ed pr\u00e1ce s paraleln\u00edm vypr\u00e1v\u011bn\u00edm nep\u0159ek\u00e1\u017e\u00ed. Nen\u00ed toti\u017e ani vlastn\u011b v na\u0161em z\u00e1jmu se takov\u00fdmi malichernostmi zab\u00fdvat. Podstatn\u00e1 je pouze Jasmine. Hrdinka, kter\u00e1 z\u00edskala pozici, o n\u00ed\u017e p\u0159i\u0161la, nedok\u00e1\u017ee se s t\u00edm vyrovnat a neust\u00e1le hled\u00e1 co nejpohodln\u011bj\u0161\u00ed\/nejp\u0159\u00edm\u011bj\u0161\u00ed cestu ke znovunabyt\u00ed lesku. To, co mohlo kdysi b\u00fdt non\u0161alantn\u00edm gestem boh\u00e1\u010de, z\u00edsk\u00e1v\u00e1 tvar tragick\u00e9 neschopnosti p\u0159ijmout skute\u010dnost, \u017ee Jasmine je jednou nohou na ulici. Mohli bychom s n\u00ed souc\u00edtit, ostatn\u011b, luxus nemus\u00ed znamenat nelidskost, jen\u017ee to by n\u00e1m Allen prost\u0159ednictv\u00edm \u00fast\u0159edn\u00ed postavy nemohl d\u00e1vat znamen\u00ed, \u017ee Jasmine m\u00e1 ve sv\u00e9m st\u00e1le dob\u0159e vypadaj\u00edc\u00edm t\u011ble ohe\u0148. Plameny nesp\u00e1lily jen to, co mohlo kdysi v Jasmine b\u00fdt dobr\u00e9, ale maj\u00ed tendenci se\u017eehnout i cokoliv z okol\u00ed, jak\u00e9koliv snahy o zastoupen\u00ed vyty\u010den\u00e9 cesty.<\/p>\n Allenovy filmy nikdy nezast\u00edraly funk\u010dn\u00ed vyu\u017eit\u00ed aury a charakteru herce. Sledovat a bavit jsme se tak mohli nejen nad postavou, ale soub\u011b\u017en\u011b nad t\u00edm, jak danou postavu hraje ten kter\u00fd herec, ta kter\u00e1 here\u010dka. M\u016f\u017ee j\u00edt o jist\u00fd zcizuj\u00edc\u00ed prvek, v rukou Allena v\u0161ak velmi promy\u0161len\u00fd. Proto v\u00a0Jasm\u00ednin\u00fdch slz\u00e1ch<\/a> <\/i>nesledujeme pouze Jasmine, ale tak\u00e9 jej\u00ed p\u0159edstavitelku, Cate Blanchett. Jej\u00ed herectv\u00ed n\u00e1s pohlcuje minim\u00e1ln\u011b stejn\u011b tak jako osobnost Jasmine. Jako by existovaly dv\u011b postavy, o kter\u00fdch film je, na kter\u00e9 se lze zam\u011b\u0159it. Naprosto strhuj\u00edc\u00ed v\u00fdkon ale neodv\u00e1d\u00ed pozornost v prav\u00e9m slova smyslu. Film je toti\u017e natolik koncentrovan\u00fd na Jasmine (v\u0161echny ostatn\u00ed postavy i herci p\u0159edstavuj\u00ed sp\u00ed\u0161e staf\u00e1\u017e) a natolik minimalizuje po\u010det motiv\u016f a z\u00e1pletek, \u017ee na\u0161i div\u00e1ckou koncentraci pot\u0159eba vn\u00edmat plnohodnotn\u011b postavu Jasmine a tak\u00e9 i here\u010dku Blanchett nenaru\u0161uje.<\/p>\n <\/p>\n Bylo by mo\u017en\u00e9 se d\u00edvat na Jasm\u00edniny slzy<\/a> i optikou dal\u0161\u00ed v\u00e1\u017en\u00e9 morality, v n\u011b\u010dem podobn\u00e9 Match Pointu<\/a>, bylo by mo\u017en\u00e9 se bavit o tom, zda a pro\u010d Allen neuchopil postavu Jasmine s v\u011bt\u0161\u00edm nadhledem, nab\u00edzej\u00edc\u00ed se t\u00e9mata text\u016f ale dost mo\u017en\u00e1 uhasnou vlivem mistrn\u00e9ho herectv\u00ed Cate Blanchett. A vlastn\u011b ani proto nen\u00ed d\u016fvod hledat na ned\u00e1vno vy\u0161l\u00e9m DVD\/Blu-Ray bonusov\u00e9 materi\u00e1ly. Dost mo\u017en\u00e1 by zbyte\u010dn\u011b odkr\u00fdvaly n\u011bco, co m\u00e1 z\u016fstat skryt\u00e9. A sm\u011b\u0159uj\u00ed pln\u011b na\u0161i pozornost na film. Na film od rozbit\u00e9 Jasmine a magick\u00e9 Cate.<\/p>\n Autor: Luk\u00e1\u0161 Gregor<\/p>\n","protected":false},"excerpt":{"rendered":" Se zvl\u00e1\u0161tn\u00edm pocitem p\u0159\u00edjemn\u00e9ho bolu lze opakovan\u011b sledovat tituly, v nich\u017e vystupuj\u00ed nesympatick\u00e9 postavy, ubli\u017euj\u00edc\u00ed, \u010dasto malichern\u00e9, je\u0161itn\u00e9 a tak n\u011bjak nebezpe\u010dn\u00e9. M\u00e1-li re\u017eis\u00e9r v rukou minim\u00e1ln\u011b jedno eso (v\u00fdte\u010dn\u00e9 herce), m\u011bn\u00ed se tato sadomasochistick\u00e1 z\u00e1bava v magickou cinefiln\u00ed z\u00e1le\u017eitost. Tak t\u0159eba Nichols\u016fv Na dotek, nebo Allenovy Jasm\u00edniny slzy.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2413","post","type-post","status-publish","format-standard","hentry","category-recenze"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=2413"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2413\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=2413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=2413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=2413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Hodnocen\u00ed: 90 %<\/h2>\n