{"id":2243,"date":"2013-08-01T12:30:00","date_gmt":"2013-08-01T10:30:00","guid":{"rendered":"https:\/\/www.luxor.cz\/blog\/nezarazene\/nemuzu-se-divat-na-skutecne-slzy\/"},"modified":"2023-01-06T16:18:04","modified_gmt":"2023-01-06T15:18:04","slug":"nemuzu-se-divat-na-skutecne-slzy-271","status":"publish","type":"post","link":"https:\/\/www.luxor.cz\/blog\/recenze\/nemuzu-se-divat-na-skutecne-slzy-271\/","title":{"rendered":"Nem\u016f\u017eu se d\u00edvat na skute\u010dn\u00e9 slzy"},"content":{"rendered":"<\/p>\n<\/p>\n

A jednou z tak inspiruj\u00edc\u00edch knih je i vyd\u00e1n\u00ed nashrom\u00e1\u017ed\u011bn\u00fdch a do ucelen\u00e9 podoby upraven\u00fdch rozhovor\u016f, je\u017e vznikaly n\u011bkolik let mezi Kie\u015blowsk\u00fdm a Danutou Stokovou. „\u010casosb\u011brn\u00e9“ interview m\u00e1 jednu velkou p\u0159ednost a jednu nev\u00fdhodu. <\/p>\n

V prv\u00e9m p\u0159\u00edpad\u011b dok\u00e1\u017ee uk\u00e1zat osobnost v mnohem komplexn\u011bj\u0161\u00ed podob\u011b, v proudu \u010dasu, ve v\u00fdvoji, v jej\u00edm dozr\u00e1v\u00e1n\u00ed, nebo naopak utvrzov\u00e1n\u00ed p\u0159\u00edstupu k \u017eivotu \u010di tvorb\u011b nap\u0159\u00ed\u010d z\u00edsk\u00e1van\u00fdmi zku\u0161enostmi. \u010casosb\u011brn\u00fd rozhovor jako by nikam nesp\u011bchal, sna\u017e\u00ed se j\u00edt do hloubky, ne za senzac\u00ed a kr\u00e1tkodobou snahou o ilustraci dob\u0159e „prodejn\u00fdch“ z\u00e1\u017eitk\u016f. Do jak\u00e9 m\u00edry se Stokov\u00e1 vhodn\u011b pt\u00e1, nelze ur\u010dit, rozhovor p\u0159epsala do podoby souvisl\u00e9ho toku filma\u0159ova vypr\u00e1v\u011bn\u00ed. Ale v\u00fd\u0161e uveden\u00e9 p\u0159ednosti o knize <\/span><\/span>Kie\u015blowski o Kie\u015blowsk\u00e9m<\/a><\/span> plat\u00ed. Polsk\u00fd re\u017eis\u00e9r sice \u010das od \u010dasu popisuje pozad\u00ed nat\u00e1\u010den\u00ed, co\u017e m\u016f\u017ee sp\u00ed\u0161e zaj\u00edmat lidi z oboru, ve valn\u00e9 v\u011bt\u0161in\u011b se ale neuch\u00fdl\u00ed k popisnosti a technik\u00e1li\u00edm, naopak i proces vzniku filmov\u00e9ho d\u00edla d\u00e1v\u00e1 do kontextu. Vztahuje tvorbu ke spole\u010densk\u00e9 n\u00e1lad\u011b \u010di povaze n\u00e1roda, k politick\u00e9mu ovzdu\u0161\u00ed, neopomene porovnat dv\u011b tv\u00e1\u0159e cenzury: tu politickou, s n\u00ed\u017e se pot\u00fdkal v Polsku, a tr\u017en\u00ed, s n\u00ed\u017e bojuj\u00ed filma\u0159i na Z\u00e1padu, obzvl\u00e1\u0161t\u011b pak v Hollywoodu, a kter\u00e1 je mu v\u00edce proti srsti, nebo\u0165 „v\u00edce plave na vod\u011b“. Zkoumat sc\u00e9n\u00e1\u0159 a hodnotit, zda m\u00e1 \u0161anci usp\u011bt, na z\u00e1klad\u011b jak\u00fdchsi virtu\u00e1ln\u00edch div\u00e1ck\u00fdch preferenc\u00ed, dle Kie\u015blowsk\u00e9ho vede k ur\u010dit\u00e9 deformaci nab\u00eddky, k oh\u00fdb\u00e1n\u00ed p\u00e1te\u0159e kinematografie. <\/p>\n

<\/span><\/p>\n<\/p>\n

Politick\u00e1 cenzura naopak Kie\u015blowsk\u00e9ho vedla a nutila k potvrzov\u00e1n\u00ed sv\u00e9 \u017eivotn\u00ed filozofie, k hled\u00e1n\u00ed zp\u016fsob\u016f, jak ji dostat na pl\u00e1tna kin, jak b\u00fdt rafinovan\u011bj\u0161\u00ed\u2026 Kie\u015blowski je v\u016fbec zvl\u00e1\u0161tn\u00fd filma\u0159. Politiky se sna\u017eil v\u017edy vyst\u0159\u00edhat, nem\u00edt s n\u00ed nic spole\u010dn\u00e9ho, narozd\u00edl od takov\u00e9ho Wajdy, p\u0159esto nejen jeho kniha, ale i samotn\u00e9 filmy toho o jeho politick\u00fdch postoj\u00edch \u0159\u00edkaj\u00ed v\u00edce ne\u017e dost.<\/span><\/p>\n

Ne\u0161var „\u010dasosb\u011brn\u00e9ho“ interview ale m\u016f\u017ee v\u00e9st k ur\u010dit\u00e9 nekoncep\u010dnosti, nesev\u0159enosti, n\u011bkdy i k opakov\u00e1n\u00ed ji\u017e \u0159e\u010den\u00e9ho. Nedostatky, kter\u00e9 se i v pr\u00e1ci od Stokov\u00e9 objevuj\u00ed, na\u0161t\u011bst\u00ed maj\u00ed jen velmi malou s\u00edlu, vyskytuj\u00ed se z\u0159\u00eddka a koncep\u010dn\u00ed rozkol\u00edsanost d\u00e1v\u00e1 o sob\u011b nejv\u00edce v\u011bd\u011bt p\u0159edev\u0161\u00edm v z\u00e1v\u011bru. <\/p>\n

Kdy\u017e jsem celou recenzi za\u010dal t\u00edm, jak lze pam\u011bti a biografie pou\u017e\u00edt k vlastn\u00edmu r\u016fstu, vzpomn\u011bl jsem si na v\u011bty zkraje knihy. Kie\u015blowski \u0159\u00edk\u00e1: „D\u00edky tomu, \u017ee jsem \u010detl, jsem velmi brzy poznal, \u017ee existuje je\u0161t\u011b n\u011bco jin\u00e9ho ne\u017e jen to, \u010deho se m\u016f\u017eeme dotknout nebo to koupit v obchod\u011b.“ N\u00e1dhern\u011b pojmenov\u00e1v\u00e1 hodnotu um\u011bn\u00ed, nemus\u00edme hovo\u0159it pouze o literatu\u0159e. Pojmenov\u00e1v\u00e1 n\u011bco k\u0159ehce ulo\u017een\u00e9ho, co v\u0161ak um\u00ed d\u00e1t \u010dlov\u011bku bohatstv\u00ed, kter\u00e9 jinde nese\u017eene. <\/p>\n

Opakovan\u011b jsem se v bohatstv\u00ed, kter\u00e9 tato kniha m\u016f\u017ee p\u0159in\u00e9st, utvrzoval. T\u0159eba v n\u00e1zorech Kie\u015blowsk\u00e9ho na dokument\u00e1rn\u00ed film, s n\u00edm\u017e za\u010d\u00ednal, ale po n\u011bkolika d\u00edlech opustil, nebo\u0165 se „nedok\u00e1zal d\u00edvat na skute\u010dn\u00e9 slzy“. Dokonce upustil od na\u010dat\u00e9ho projektu, \u010dasosb\u011brn\u00e9ho dokumentu, proto\u017ee by t\u00edm „p\u0159\u00edli\u0161 ovliv\u0148oval n\u011b\u010d\u00ed \u017eivot“, na co\u017e se nec\u00edtil b\u00fdt opr\u00e1vn\u011bn. (Porovnejme to s Helenou T\u0159e\u0161t\u00edkovou, kter\u00e1 sice form\u00e1ln\u011b do sv\u00fdch film\u016f nevstupuje, p\u0159esto bezesporu \u017eivoty hrdin\u016f ovlivnila.)<\/p>\n

Text o knize, kterou lze opravdu jen doporu\u010dit (stejn\u011b jako filmovou tvorbu Krzysztofa Kie\u015blowsk\u00e9ho), zakon\u010d\u00edm kr\u00e1tk\u00fdm v\u00fd\u0148atkem, to pro p\u0159edstavu, nad \u010d\u00edm v\u0161\u00edm se (jako by mimod\u011bk) re\u017eis\u00e9r p\u0159i hovorech o vlastn\u00ed pr\u00e1ci zam\u00fd\u0161l\u00ed.<\/p>\n

Nejsem si jist\u00fd, jestli usnadn\u011bn\u00ed ve sv\u00e9 podstat\u011b znamen\u00e1 v\u016fbec n\u011bco pozitivn\u00edho. Jestli n\u00e1hodou nen\u00ed lep\u0161\u00ed, kdy\u017e jdou v\u011bci ztuha, jestli nen\u00ed lep\u0161\u00ed trp\u011bt ne\u017e netrp\u011bt. Mysl\u00edm, \u017ee ob\u010das je dobr\u00e9 trp\u011bt. Teprve to n\u00e1s formuje. Kdy\u017e \u017eije\u0161 snadno a lehce, nem\u00e1\u0161 \u017e\u00e1dn\u00fd d\u016fvod, aby ses sklonil k jin\u00fdm. Aby se \u010dlov\u011bk mohl sklonit k sob\u011b, a zvl\u00e1\u0161t\u011b k n\u011bkomu jin\u00e9mu, mus\u00ed dostat po\u0159\u00e1dn\u011b zabrat, mus\u00ed trp\u011bt a pochopit, co je utrpen\u00ed, co je bolest. Jinak nepochop\u00ed, co je to nep\u0159\u00edtomnost bolesti.<\/i><\/p>\n

Hodnocen\u00ed: 90%<\/h2>\n

Autor: Luk\u00e1\u0161 Gregor<\/p>\n

Zdroj obr\u00e1zku: Kinfo.lt, Dlastudenta.pl<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"

N\u011bkde jsem potkal post\u0159eh, \u017ee nejsmyslupln\u011bj\u0161\u00ed literaturou pro osobn\u00ed r\u016fst jsou biografie \u010di vzpom\u00ednky siln\u00fdch osobnost\u00ed. Jejich my\u0161lenky a skutky mohou konkr\u00e9tn\u011b uk\u00e1zat zp\u016fsoby a cesty, kter\u00fdmi se lze inspirovat. Jednou z takov\u00fdch osobnost\u00ed bezpochyby je i filmov\u00fd re\u017eis\u00e9r Krzysztof Kie\u015blowski.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2243","post","type-post","status-publish","format-standard","hentry","category-recenze"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=2243"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2243\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=2243"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=2243"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=2243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}