{"id":2217,"date":"2013-07-05T13:06:00","date_gmt":"2013-07-05T11:06:00","guid":{"rendered":"https:\/\/www.luxor.cz\/blog\/nezarazene\/lidska-bytost-jako-vztah\/"},"modified":"2023-01-06T16:18:27","modified_gmt":"2023-01-06T15:18:27","slug":"lidska-bytost-jako-vztah-245","status":"publish","type":"post","link":"https:\/\/www.luxor.cz\/blog\/recenze\/lidska-bytost-jako-vztah-245\/","title":{"rendered":"Lidsk\u00e1 bytost jako vztah"},"content":{"rendered":"<\/p>\n<\/p>\n

Autor opakovan\u00e9 dlouh\u00e1 l\u00e9ta vstupuje na p\u016fdu \u0159\u00ed\u0161e, kterou dob\u0159e vystihuje pozn\u00e1mka o japonsk\u00e9m v\u00fdrazu „ano“: „hai m\u016f\u017ee sice znamenat ano, ale m\u016f\u017ee tak\u00e9 znamenat cokoli od ano p\u0159es mo\u017en\u00e1 a\u017e po ne.“<\/i> Nejednozna\u010dnost, ba co v\u00edc, rozporuplnost se nach\u00e1z\u00ed prakticky za ka\u017ed\u00fdm rohem, ne skryt\u00e1 mezi \u0159\u00e1dky, ale pojmenovan\u00e1 zcela nap\u0159\u00edmo, \u010dlov\u011bkem ze Z\u00e1padu, kter\u00e9ho Japonsko p\u0159itahuje a sou\u010dasn\u011b i v n\u011b\u010dem odstrk\u00e1v\u00e1.\u00a0<\/p>\n

Antropolog Alan Macfarlane p\u0159irovn\u00e1v\u00e1 sv\u00e9 pozn\u00e1v\u00e1n\u00ed k ud\u00e1lostem, kter\u00e9 potk\u00e1vaj\u00ed malou Alenku, kdy\u017e n\u00e1sledovala podivn\u00e9ho b\u00edl\u00e9ho kr\u00e1l\u00edka. V n\u011bkolika m\u00e1lo tematick\u00fdch kapitol\u00e1ch (kultura, bohatstv\u00ed, lid\u00e9, moc, my\u0161len\u00ed, n\u00e1bo\u017eenstv\u00ed) se sna\u017e\u00ed figurovat jako pr\u016fvodce na roztodivn\u00e9 cest\u011b „za zrcadlem“, kniha se ale velmi z\u00e1hy za\u010dne vzdalovat jak\u00e9mukoliv cestopisu nebo tradi\u010dn\u00ed literatu\u0159e faktu. Z pr\u016fvodce se toti\u017e mnohdy st\u00e1v\u00e1 ona Alenka, na kterou \u010d\u00edhaj\u00ed p\u0159ekvapen\u00ed, vzbuzuj\u00edc\u00ed ot\u00e1zky, na n\u011b\u017e si p\u0159\u00edli\u0161 nedok\u00e1\u017ee autor odpov\u011bd\u011bt. Japonsko za zrcadlem<\/a> je tak mnohem \u017eiv\u011bj\u0161\u00ed, ne\u017e by se po p\u0159e\u010dten\u00ed \u00favodu mohlo zd\u00e1t. Ostatn\u011b, hned zkraje Macfarlene upozor\u0148uje, \u017ee „zrcadlo se neust\u00e1le m\u011bn\u00ed s t\u00edm, jak Japonci znovu objevuj\u00ed sami sebe\u2026 m\u00e1 prom\u011bnliv\u00fd povrch, kter\u00fd, podobn\u00fd chameleonu, odr\u00e1\u017e\u00ed tv\u00e1\u0159e, je\u017e do n\u011bj nahl\u00ed\u017eej\u00ed. Nen\u00ed ale jako oby\u010dejn\u00e9 zrcadlo, m\u00e1 pam\u011b\u0165.“<\/i><\/p>\n<\/p>\n<\/p>\n

Up\u0159\u00edmn\u011b, byl jsem r\u00e1d, \u017ee jsem knihu \u010detl ve \u010dte\u010dce. Od d\u011btstv\u00ed m\u00e1m odpor k jak\u00fdmkoliv pozn\u00e1mk\u00e1m \u010di zatrh\u00e1v\u00e1n\u00ed v ti\u0161t\u011bn\u00fdch knih\u00e1ch, tady by musela p\u0159i \u010dten\u00ed paraleln\u011b vznikat mohutn\u00e1 my\u0161lenkov\u00e1 mapa nebo sada v\u00fdpisk\u016f, vy\u0159e\u0161il to ale Kindle a jeho funkce vytv\u00e1\u0159en\u00ed elektronick\u00fdch pozn\u00e1mek a ozna\u010den\u00ed. V\u011b\u0159te, \u017ee bylo co ozna\u010dovat. Kniha Japonsko za zrcadlem<\/a> m\u00e1 toti\u017e v\u00fdte\u010dnou vlastnost. Odkr\u00fdv\u00e1 (a sou\u010dasn\u011b i zahaluje tajemstv\u00edm) sv\u011bt tohoto n\u00e1roda, p\u0159i\u010dem\u017e stejn\u011b tak dok\u00e1\u017ee vypov\u00eddat o kultu\u0159e na\u0161\u00ed. Alespo\u0148 tedy j\u00e1 m\u011bl tendenci mnoh\u00e9 podn\u011bty stav\u011bt je\u0161t\u011b i do opozice k vlastn\u00ed zku\u0161enosti s n\u00e1rodem a kulturou, ve kter\u00e9 se pohybuji. Metafora se zrcadlem je tak p\u0159\u00edzna\u010dn\u011bj\u0161\u00ed, ne\u017e se zd\u00e1. A\u010dkoliv se s Alenkou vyd\u00e1v\u00e1me za n\u011bj, proto\u017ee Japonsko rozhodn\u011b je jak z pera Lewise Carolla, st\u00e1le tu je i odraz v zrcadle \u2013 a ten pat\u0159\u00ed n\u00e1m.<\/p>\n

Rozhodn\u011b se na\u0161ly pas\u00e1\u017ee, kter\u00e9 mnou „cloumaly“ m\u00e9n\u011b, kup\u0159\u00edkladu z\u00e1le\u017eitosti kolem hierarchie moci, nebo kapitola o bohatstv\u00ed, u jin\u00fdch jsem si nesta\u010dil ta\u017een\u00edm prstu po displeji ozna\u010dovat inspirativn\u00ed post\u0159ehy.<\/p>\n<\/p>\n

Vzhledem k m\u00e9mu z\u00e1jmu o vn\u00edm\u00e1n\u00ed \u010dasu a nakl\u00e1d\u00e1n\u00ed s n\u00edm mne zaujal nap\u0159\u00edklad p\u0159\u00edstup Japonc\u016f k minulosti, p\u0159\u00edtomnosti a budoucnosti. V\u0161iml jsem si na internetu s\u00edl\u00edc\u00ed tendence zd\u016fraz\u0148ovat p\u0159\u00edtomn\u00fd okam\u017eik, radost z n\u011bj a d\u016fraz na to, co se d\u011bje pr\u00e1v\u011b te\u010f a jak toto TE\u010e vyu\u017eijeme. Jak ale ukazuje n\u00e1sleduj\u00edc\u00ed v\u00fd\u0148atek, \u017e\u00edt v p\u0159\u00edtomn\u00e9m okam\u017eiku\/z p\u0159\u00edtomn\u00e9ho okam\u017eiku m\u016f\u017ee m\u00edt i svou druhou stranu mince, na kterou u\u017e naopak v\u0161ichni ti novodob\u00ed minimalist\u00e9 a „zenov\u00ed“ fanou\u0161ci nepomysleli.<\/p>\n

„Pouze jsme, p\u0159\u00edtomn\u00fd okam\u017eik je v\u0161\u00edm. To v\u0161ak p\u0159in\u00e1\u0161\u00ed jist\u00fd smutek, proto\u017ee p\u0159\u00edtomnost neust\u00e1le miz\u00ed, dokonal\u00fd moment pln\u00e9ho kv\u011btu \u010di \u00fapl\u0148ku, i vlna na mo\u0159sk\u00e9m b\u0159ehu, jsou poka\u017ed\u00e9 pom\u00edjiv\u00e9. V\u0161echno je pouh\u00fd chvilkov\u00fd sen, jen\u017e se brzy vypa\u0159\u00ed jako rann\u00ed rosa.“<\/i><\/p>\n

Nedivte se mi, \u017ee se budu ke knize vracet. Myslel jsem, \u017ee mi d\u00e1 sp\u00ed\u0161 sadu informac\u00ed o tom, jak to v Japonsku vypad\u00e1 a chod\u00ed, m\u00edsto toho do m\u011b zahloubala n\u011bkolik my\u0161lenek, kter\u00e9 se trochu chv\u011bj\u00ed. N\u011bkter\u00e9 se vztahuj\u00ed k praktick\u00fdm z\u00e1le\u017eitostem ohledn\u011b komunikace s okol\u00edm, jin\u00e9 vstupuj\u00ed a\u017e do duchovn\u00ed sf\u00e9ry a pojet\u00ed toho, co je vlastn\u011b „duch“, co je „b\u016fh“ a pro\u010d v\u00edra a mor\u00e1lka spolu souvis\u00ed.<\/p>\n<\/p>\n

Hodnocen\u00ed: 100 %<\/h2>\n

Autor: Luk\u00e1\u0161 Gregor<\/p>\n<\/p>\n

Zdroje obr\u00e1zk\u016f: CC Masterdreams, Streetphoto365, JapanDave, Luke Zeme, Risaikeda, Bunches and Bits, Danny Choo, Robot-Dreams, Trevor Smith<\/p>\n","protected":false},"excerpt":{"rendered":"

S edic\u00ed TEMA m\u00e1m jen a pouze dobr\u00e9 zku\u0161enosti. Co kniha, to otev\u0159en\u00ed dve\u0159\u00ed do odli\u0161n\u00e9ho koutu st\u00e1le t\u00e9ho\u017e sv\u011bta. Co kniha, to d\u016fkaz, \u017ee lze vn\u00edmat okol\u00ed jako kr\u00e1su hodnou k op\u011bvov\u00e1n\u00ed, nebo t\u0159eba jako provokaci k diskuz\u00edm nad nejednozna\u010dnost\u00ed pravidel. Vz\u00e1jemn\u011b t\u011bsn\u011b spojen\u00e1, sou\u010dasn\u011b tak pestr\u00e1 \u0159ada byla obohacena o dal\u0161\u00ed titul. Japonsko za zrcadlem naprosto kongeni\u00e1ln\u011b odr\u00e1\u017e\u00ed tento „jing-jang“ princip samotn\u00e9 edice nakladatelstv\u00ed Kniha Zl\u00edn.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-2217","post","type-post","status-publish","format-standard","hentry","category-recenze"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=2217"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/2217\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=2217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=2217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=2217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}