{"id":20210,"date":"2023-02-16T12:16:00","date_gmt":"2023-02-16T11:16:00","guid":{"rendered":"https:\/\/www.luxor.cz\/blog\/?p=20210"},"modified":"2023-02-16T11:48:42","modified_gmt":"2023-02-16T10:48:42","slug":"katerina-hanackova-balet-narodniho-divadla-rozhovor","status":"publish","type":"post","link":"https:\/\/www.luxor.cz\/blog\/rozhovor\/katerina-hanackova-balet-narodniho-divadla-rozhovor\/","title":{"rendered":"Kate\u0159ina Han\u00e1\u010dkov\u00e1, Balet N\u00e1rodn\u00edho divadla: Ka\u017ed\u00e1 kniha se d\u00e1 zatan\u010dit"},"content":{"rendered":"\n

S PR mana\u017eerkou Baletu N\u00e1rodn\u00edho divadla jsme si pov\u00eddali o tom, jak p\u0159ev\u00e9st slovo do pohybu a liter\u00e1rn\u00ed p\u0159\u00edb\u011bh do baletn\u00edho p\u0159edstaven\u00ed. A jak se neb\u00e1t sou\u010dasn\u00e9ho baletu.<\/strong><\/p>\n\n\n\n

D\u00e1 se zatan\u010dit ka\u017ed\u00e1 kniha, nebo mus\u00ed m\u00edt p\u0159\u00edb\u011bh ur\u010den\u00fd k p\u0159ekladu do \u0159e\u010di t\u011bla n\u011bjak\u00e1 specifika? <\/strong><\/p>\n\n\n\n

To z\u00e1le\u017e\u00ed na choreografovi. I sebelep\u0161\u00ed p\u0159\u00edb\u011bh se d\u00e1 pokazit, i z toho nejjednodu\u0161\u0161\u00edho se d\u00e1 ud\u011blat kr\u00e1sn\u00e9 divadlo, kdy\u017e um\u00edte dob\u0159e vyu\u017e\u00edvat v\u00fdrazov\u00e9 a pohybov\u00e9 prost\u0159edky. Ka\u017edop\u00e1dn\u011b v\u00e1s ale odtan\u010den\u00fd p\u0159\u00edb\u011bh m\u016f\u017ee zas\u00e1hnout emo\u010dn\u011b v\u00edce ne\u017e ten p\u0159e\u010dten\u00fd. V\u0161imn\u011bte si, \u017ee d\u011bti miluj\u00ed tan\u010den\u00e9 p\u0159\u00edb\u011bhy \u2013 odpadaj\u00ed slova, kter\u00fdm ob\u010das nerozum\u00ed, a z\u016fst\u00e1vaj\u00ed jen v\u011bci vyj\u00e1d\u0159en\u00e9 pohybem. A ty jsou mnohem jasn\u011bj\u0161\u00ed. Na ulici \u0159eknete jednoduchou v\u011btu \u201emiluji t\u011b\u201c. Ale v divadle ji p\u0159i baletu p\u0159etav\u00edme do patn\u00e1cti minut kr\u00e1sy a z\u00e1\u017eitku, kde si ta slova div\u00e1k u\u017eije v ka\u017ed\u00e9 mo\u017en\u00e9 nuanci jejich v\u00fdznamu.<\/p>\n\n\n\n

M\u00e1te n\u011bjakou svoji obl\u00edbenou knihu, kterou si tajn\u011b p\u0159edstavujete jako balet?<\/strong><\/p>\n\n\n\n

Jako fanda knih Harukiho Murakamiho si pou\u0161t\u00edm i jeho hudbu, ty p\u0159esn\u00e9 skladby, kter\u00e9 s ka\u017edou z jeho knih souvis\u00ed. V kombinaci s jeho texty m\u011b napad\u00e1 cel\u00e1 \u0159ada sc\u00e9n, metaforick\u00fdch pas\u00e1\u017e\u00ed, ze kter\u00fdch by se dala poskl\u00e1dat kr\u00e1sn\u00e1 baletn\u00ed inscenace. A taky si mysl\u00edm, \u017ee by jevi\u0161ti slu\u0161ely zapomenut\u00e9 slovansk\u00e9 p\u0159\u00edb\u011bhy a legendy, mytologie.<\/p>\n\n\n\n

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Leonce & Lena. Foto: archiv Baletu N\u00e1rodn\u00edho divadla.<\/em> <\/figcaption><\/figure>\n\n\n\n

P\u0159i adaptaci liter\u00e1rn\u00edch p\u0159\u00edb\u011bh\u016f do podoby baletu se ale asi jen tak nes\u00e1hne po knize, kter\u00e1 pr\u00e1v\u011b n\u011bkomu ze souboru le\u017e\u00ed na no\u010dn\u00edm stolku? Kdo je vol\u00ed a jak se tvo\u0159\u00ed reperto\u00e1r baletn\u00edho souboru?<\/strong> <\/p>\n\n\n\n

Dramaturgii tvo\u0159\u00ed um\u011bleck\u00fd \u0161\u00e9f Baletu ND Filip Barankiewicz. U\u017e n\u011bkolik let za sebou se mu da\u0159\u00ed vytv\u00e1\u0159et rozmanit\u00fd reperto\u00e1r. Ten obsahuje jak tradi\u010dn\u00ed klasick\u00e9 balety, jimi\u017e udr\u017eujeme odkaz kulturn\u00edho sv\u011btov\u00e9ho d\u011bdictv\u00ed, tak sou\u010dasnou p\u016fvodn\u00ed tvorbu, kter\u00e1 zase posunuje tane\u010dn\u00ed um\u011bn\u00ed o kousek d\u00e1l. Co s t\u00fdk\u00e1 p\u0159\u00edmo baletn\u00edch zpracov\u00e1n\u00ed kni\u017en\u00edch p\u0159edloh, zdob\u00ed n\u00e1\u0161 reperto\u00e1r pr\u00e1ce sv\u011btov\u00fdch choreograf\u016f, kte\u0159\u00ed pat\u0159\u00ed ke \u0161pi\u010dce oboru. Krom\u011b Kafkova Procesu a inscenace Leonce a Lena na motivy rom\u00e1nu Georga B\u00fcchnera nov\u011b tan\u010d\u00edme baletn\u00ed zpracov\u00e1n\u00ed Tramvaje do stanice touha od Tenesseeho Williamse.<\/p>\n\n\n\n

To ale nen\u00ed zrovna lehk\u00e1 l\u00e1tka\u2026<\/strong><\/p>\n\n\n\n

Tuhle dramatickou hru p\u0159evedla do baletn\u00ed podoby hv\u011bzda sv\u011btov\u00e9 choreografie, John Neumeier. Je mistr p\u0159\u00edb\u011bhov\u00fdch balet\u016f, pades\u00e1t let \u0159editeluje baletn\u00edmu souboru v Hamburku. Pro Tramvaj jsme se rozhodli nejen z um\u011bleck\u00fdch d\u016fvod\u016f. Chceme toti\u017e reagovat na stup\u0148uj\u00edc\u00ed se n\u00e1sil\u00ed a nejistotu ve sv\u011bt\u011b okolo n\u00e1s. V tom p\u0159\u00edb\u011bhu je n\u00e1siln\u00e1 linka velice jasn\u00e1, u\u017e kdy\u017e jej \u010dtete, my ji ale tan\u010d\u00edme beze slov, zato tak fyzicky, \u017ee se v\u00e1s t\u0159eba sc\u00e9na zn\u00e1siln\u011bn\u00ed Blanche dotkne velice nal\u00e9hav\u011b. Opravdu je to velice siln\u00e9 p\u0159edstaven\u00ed, div\u00e1ci by m\u011bli b\u00fdt star\u0161\u00ed \u0161estn\u00e1cti let. I tak ale doporu\u010dujeme, zvl\u00e1\u0161t\u011b mlad\u00fdm lidem, aby si ten p\u0159\u00edb\u011bh u n\u00e1s od\u017eili a pak o n\u011bm v\u0161eobecn\u011b p\u0159em\u00fd\u0161leli. Spolupracujeme v tom sm\u011bru i s organizac\u00ed Konsent, kter\u00e1 se n\u00e1sil\u00edm a respektem k ostatn\u00edm zab\u00fdv\u00e1. T\u00edmto p\u0159edstaven\u00edm m\u016f\u017eeme komunikovat s ve\u0159ejnost\u00ed, m\u016f\u017eeme uk\u00e1zat lidem, \u017ee agrese vznik\u00e1 z frustrace a nahromad\u011bn\u00e9 ne\u00facty, a \u017ee je t\u0159eba p\u011bstovat respekt k ostatn\u00edm i sob\u011b sam\u00fdm. Nav\u00edc inscenace m\u00e1 i druhou linku, velice kr\u00e1snou a nitern\u011b hlubokou \u2013 a tou je na\u0161e lidsk\u00e1 k\u0159ehkost, osobit\u00fd sv\u011bt na\u0161ich sn\u016f a tak\u00e9 to, kam a\u017e n\u00e1s mohou na\u0161e touhy zav\u00e9st\u2026<\/p>\n\n\n\n

<\/p>\n\n\n\n

  • \"\"<\/figure><\/li>
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  • \"\"<\/figure><\/li><\/ul>
    Tramvaj do stanice touha. Foto: archiv Baletu N\u00e1rodn\u00edho divadla.<\/em><\/figcaption><\/figure>\n\n\n\n

    <\/p>\n\n\n\n

    Kdybyste cht\u011bla odleh\u010dit, na jak\u00e9 z va\u0161ich p\u0159edstaven\u00ed byste vzala svoji nejlep\u0161\u00ed kamar\u00e1dku?<\/strong> <\/p>\n\n\n\n

    Ur\u010dit\u011b na na\u0161eho On\u011bgina. Hrajeme ho v historick\u00e9 budov\u011b ND a obsahuje v\u0161echno, d\u00edky \u010demu se \u017eena m\u016f\u017ee zasn\u00edt a ztoto\u017enit s hlavn\u00ed hrdinkou \u2013 trh\u00e1n\u00ed dopis\u016f, odm\u00edtnut\u00ed, souboj\u2026 osudov\u00e1 velk\u00e1 l\u00e1ska. Je to kr\u00e1sn\u011b choreograficky vystav\u011bn\u00fd vizu\u00e1ln\u00ed z\u00e1\u017eitek, doprov\u00e1zen\u00fd \u00fa\u017easnou \u010cajkovsk\u00e9ho hudbou a vynikaj\u00edc\u00edmi tane\u010dn\u00edmi v\u00fdkony.<\/p>\n\n\n\n

    <\/p>\n\n\n\n

    • \"\"<\/figure><\/li>
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      On\u011bgin. Foto: archiv Baletu N\u00e1rodn\u00edho divadla.<\/em> <\/figcaption><\/figure>\n\n\n\n

      <\/p>\n\n\n\n

      A na co byste pozvala div\u00e1ka, kter\u00fd si na sou\u010dasn\u00e9 balety p\u0159ece jen nechce nebo neum\u00ed zvyknout?<\/strong> <\/p>\n\n\n\n

      Poradila bych mu, aby zkusil t\u00e9ma, kter\u00e9 zn\u00e1, ale v sou\u010dasn\u00e9 adaptaci. \u010c\u00e1st na\u0161ich div\u00e1k\u016f opravdu tvo\u0159\u00ed milovn\u00edci b\u00edl\u00fdch balet\u016f, romantick\u00e9ho obdob\u00ed 19. stolet\u00ed, kdy mu\u017ei tou\u017eili po nere\u00e1ln\u00e9 \u017een\u011b, sp\u00ed\u0161 v\u00edle ne\u017e osob\u011b z masa a kost\u00ed. Doporu\u010dila bych proto zkusit na\u0161i novou adaptaci Popelky, kde hrdinka je skute\u010dn\u011b ak\u010dn\u00ed, modern\u00ed v estetice kost\u00fdm\u016f i choreografii, a se kterou se ka\u017ed\u00fd m\u016f\u017ee l\u00e9pe ztoto\u017enit.<\/p>\n\n\n\n

      \n
      <\/div>\n<\/div>\n\n\n\n
      \n
      \n
      \"\"<\/figure>\n<\/div>\n\n\n\n
      \n

      <\/p>\n\n\n\n

      Kate\u0159ina Han\u00e1\u010dkov\u00e1, PR mana\u017eerka baletu N\u00e1rodn\u00edho divadla\u2026<\/strong> <\/p>\n\n\n\n

      \u2026odmali\u010dka tan\u010d\u00ed a je fascinov\u00e1na nere\u00e1ln\u00fdmi sv\u011bty. Ut\u00edkala do nich p\u0159edev\u0161\u00edm b\u011bhem hodin fyziky, tak\u017ee si jako dosp\u011bl\u00e1 musela naj\u00edt profesi, ve kter\u00e9 jej\u00ed sklon ke sn\u011bn\u00ed u \u010d\u00edsel bude dar a ne p\u0159ek\u00e1\u017eka. Tanec se stal jej\u00ed drogou, proto\u017ee tento zp\u016fsob vyj\u00e1d\u0159en\u00ed emoc\u00ed ide\u00e1ln\u011b kombinuje pot\u0159ebu pohybu s pot\u011b\u0161en\u00edm z p\u011bst\u011bn\u00ed vlastn\u00edho duchovn\u00edho sv\u011bta. Vystudovala tane\u010dn\u00ed pedagogiku a tane\u010dn\u00ed v\u011bdu na AMU a jej\u00ed sm\u011b\u0159ov\u00e1n\u00ed ji hned po studi\u00edch zavedlo do sv\u011bta lid\u00ed od divadla. V r\u00e1mci sv\u00e9 profese p\u0159ed\u00e1v\u00e1 v\u00edru v kr\u00e1su a pov\u011bdom\u00ed o baletu dal\u0161\u00edm, a p\u0159ipravuje vzd\u011bl\u00e1vac\u00ed programy pro d\u011bti. Divadeln\u00ed prost\u0159ed\u00ed j\u00ed p\u0159in\u00e1\u0161\u00ed do \u017eivota koncentrovan\u00e9 emoce, mo\u017enost pro\u017e\u00edt dal\u0161\u00ed a dal\u0161\u00ed p\u0159\u00edb\u011bhy a na vlastn\u00ed o\u010di sledovat, jak se ka\u017ed\u00fd den v divadle stane aspo\u0148 jeden z\u00e1zrak. M\u00e1 t\u0159i dcery a ve voln\u00e9m \u010dase se sna\u017e\u00ed kompenzovat um\u011bleck\u00e9 prost\u0159ed\u00ed aktivn\u00edm pohybem \u2013 miluje hory, vyl\u00e9zat na jejich vrcholky a ztr\u00e1cet se v temn\u00fdch les\u00edch mimo vyzna\u010den\u00e9 cesty.   <\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/p>\n\n\n\n

      Autorkou rozhovoru je Barbora Topinkov\u00e1. \u010cl\u00e1nek vy\u0161el v Magaz\u00ednu LUXOR v \u00fanoru 2023.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

      S PR mana\u017eerkou Baletu N\u00e1rodn\u00edho divadla jsme si pov\u00eddali o tom, jak p\u0159ev\u00e9st slovo do pohybu a liter\u00e1rn\u00ed p\u0159\u00edb\u011bh do baletn\u00edho p\u0159edstaven\u00ed. A jak se neb\u00e1t sou\u010dasn\u00e9ho baletu. D\u00e1 se zatan\u010dit […]<\/p>\n","protected":false},"author":9,"featured_media":20217,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[8,21655],"tags":[20718,21533,18344],"class_list":["post-20210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rozhovor","category-magazin-luxor","tag-divadlo","tag-narodni-divadlo","tag-rozhovor"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/20210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=20210"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/20210\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media\/20217"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=20210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=20210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=20210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}