{"id":14629,"date":"2020-11-20T18:31:47","date_gmt":"2020-11-20T17:31:47","guid":{"rendered":"https:\/\/www.luxor.cz\/blog\/?p=14629"},"modified":"2020-11-20T18:38:01","modified_gmt":"2020-11-20T17:38:01","slug":"klara-vlasakova","status":"publish","type":"post","link":"https:\/\/www.luxor.cz\/blog\/rozhovor\/klara-vlasakova\/","title":{"rendered":"Sc\u00e9n\u00e1ristka Kl\u00e1ra Vlas\u00e1kov\u00e1 o sv\u00e9m rom\u00e1nov\u00e9m debutu"},"content":{"rendered":"

Praskliny za\u010d\u00ednaj\u00ed mimo\u0159\u00e1dnou ud\u00e1lost\u00ed: na louku pobl\u00ed\u017e st\u0159edn\u011b velk\u00e9ho m\u011bsta se snese b\u00edl\u00e1 koule, velk\u00fd levituj\u00edc\u00ed a sv\u011bt\u00e9lkuj\u00edc\u00ed \u00fatvar. P\u0159\u00edtomnost koule, jej\u00ed\u017e p\u016fvod neum\u00ed nikdo vysv\u011btlit, pochopiteln\u011b vzbud\u00ed ohromnou senzaci. Na m\u00edsto se sb\u00edhaj\u00ed zv\u011bdavci a sj\u00ed\u017ed\u011bj\u00ed se televizn\u00ed \u0161t\u00e1by. O\u010dek\u00e1vaj\u00ed n\u011bco fascinuj\u00edc\u00edho, od invaze z vesm\u00edru po sv\u011btovou katastrofu. Nic se ale ned\u011bje, koule se jen ti\u0161e pohupuje p\u00e1r des\u00edtek centimetr\u016f nad zem\u00ed\u2026<\/strong><\/p>\n

Tenhle \u00favodn\u00ed a z\u00e1rove\u0148 \u00fast\u0159edn\u00ed motiv Prasklin p\u016fsob\u00ed velice siln\u011b. Jak v\u00e1s napadl? Byl pro v\u00e1s j\u00e1drem, na kter\u00fd jste za\u010dala nabalovat p\u0159\u00edb\u011bh?
\n<\/strong>Ano, prvn\u00ed v\u011btu knihy jsem m\u011bla v trochu odli\u0161n\u00e9 verzi tak dva roky \u2013 ten obraz m\u011b n\u011b\u010d\u00edm fascinoval a dr\u00e1\u017edil, ale z\u00e1rove\u0148 jsem nev\u011bd\u011bla, kudy se bude p\u0159\u00edb\u011bh d\u00e1l ub\u00edrat; vid\u011bla jsem z n\u011bj jen tuhle jednu \u00fazkou v\u00fdse\u010d. Nechala jsem tak v\u011btu n\u011bjakou dobu bez pov\u0161imnut\u00ed a v\u011bnovala se jin\u00fdm text\u016fm. Teprve mnohem pozd\u011bji se k motivu koule za\u010daly p\u0159irozen\u011b p\u0159idru\u017eovat p\u0159\u00edb\u011bhy postav, kter\u00e9 ji vid\u011bly, kter\u00e9 od n\u00ed n\u011bco \u010dekaly \u2013 a kter\u00e9 to nedostaly. Tehdy jsem si u\u017e ani nepamatovala, \u017ee soubor s prvn\u00ed v\u011btou n\u011bkde m\u00e1m, a za\u010dala jsem ps\u00e1t docela odznova. Nad motivem jako takov\u00fdm jsem v\u0161ak bezd\u011bky zjevn\u011b uva\u017eovala pom\u011brn\u011b dlouho.<\/p>\n

P\u0159\u00edtomnost nevysv\u011btliteln\u00e9 sv\u011bt\u00e9lkuj\u00edc\u00ed koule je spou\u0161t\u011b\u010dem reakc\u00ed a ud\u00e1lost\u00ed. Jej\u00ed nete\u010dnost neurotizuje chov\u00e1n\u00ed postav. Na povrch se dost\u00e1vaj\u00ed traumata, strachy, \u00fazkosti, deziluze nebo frustrace. Jak si vysv\u011btit takhle siln\u011b negativn\u00ed projevy?
\n<\/strong>Jde o stavy, kter\u00e9 ve spole\u010dnosti probubl\u00e1valy n\u011bjakou dobu \u2013 a kv\u016fli kouli vyh\u0159ezly najednou rychleji na povrch. V\u00a0rom\u00e1nu jsem se pak sna\u017eila tyhle stavy co nejv\u011brn\u011bji zachytit, i kdy\u017e to \u010dasto nemus\u00ed b\u00fdt zrovna chl\u00e1choliv\u00e9 \u010dten\u00ed.
\nV\u00a0tomhle ohledu je fik\u010dn\u00ed sv\u011bt Prasklin v mnoh\u00e9m podobn\u00fd tomu na\u0161emu. P\u0159i koronavirov\u00e9 pandemii se ostatn\u011b velmi rychle uk\u00e1zalo, co v\u0161echno je zanedban\u00e9 t\u0159eba v\u00a0soci\u00e1ln\u00ed oblasti, ve zdravotnictv\u00ed, na kolik skupin obyvatelstva se dlouhodob\u011b nemyslelo a jak moc se rozkl\u00ed\u017eil st\u00e1t jako takov\u00fd. Ka\u017ed\u00e1 krize rychle odhal\u00ed, co jsou slab\u00e1 m\u00edsta dan\u00e9 spole\u010dnosti.<\/p>\n

Mysl\u00edte si, \u017ee z\u00e1rodky takov\u00fdch negativn\u00edch stav\u016f m\u00e1me v sob\u011b v\u0161ichni?
\n<\/strong>Pokud se bav\u00edme na \u00farovni jednotlivce, tak ur\u010dit\u011b ano. Tam samoz\u0159ejm\u011b z\u00e1le\u017e\u00ed na cel\u00e9 \u0159ad\u011b faktor\u016f a n\u011bkdy vylo\u017een\u00fdch n\u00e1hod, kter\u00e9 rozhodnou o tom, jak moc v\u00a0n\u00e1s za\u010dnou kyp\u011bt negativn\u00ed emoce, p\u0159\u00edpadn\u011b jestli p\u0159evezmou p\u0159\u00edmo nadvl\u00e1du. Nau\u010dili jsme se o depres\u00edch nebo \u00fazkostech uva\u017eovat jako o chemick\u00e9 dysbalanci v\u00a0t\u011ble, kter\u00e1 jde \u010d\u00e1ste\u010dn\u011b vy\u0159e\u0161it pr\u00e1\u0161ky. Ale \u010dasto se nedod\u00e1v\u00e1, \u017ee tyhle stavy v\u00fdrazn\u011b ovliv\u0148uje t\u0159eba ekonomick\u00e1 situace lid\u00ed \u2013 nejistota nebo dluhy.
\nZrovna se d\u00edv\u00e1m na seri\u00e1l Koruna<\/em>, kde jedna z\u00a0postav, kter\u00e1 kv\u016fli asoci\u00e1ln\u00ed politice Margaret Thatcherov\u00e9 v\u00a0Brit\u00e1nii osmdes\u00e1t\u00fdch let p\u0159i\u0161la o pr\u00e1ci a n\u00e1sledn\u011b i o rodinu, vypr\u00e1v\u00ed: \u201e\u0158\u00edkaj\u00ed mi, \u017ee m\u00e1m du\u0161evn\u00ed probl\u00e9my. Ale nem\u00e1m. J\u00e1 jsem prost\u011b jenom chudej.\u201c
\nPokud to v\u0161ak bereme na t\u00e9 celospole\u010densk\u00e9 \u00farovni, jde p\u0159edev\u0161\u00edm o to, jak siln\u00e9 z\u00e1chrann\u00e9 s\u00edt\u011b m\u00e1 ta dan\u00e1 spole\u010dnost vybudovan\u00e9. Jak se postar\u00e1 o ty, kte\u0159\u00ed musej\u00ed spl\u00e1cet exekuce? Nebo kte\u0159\u00ed najednou p\u0159i\u0161li o zam\u011bstn\u00e1n\u00ed? V\u00a0Prasklin\u00e1ch m\u00e1 tahle s\u00edt hodn\u011b velk\u00e1 oka, kter\u00fdmi propad\u00e1vaj\u00ed tak\u0159ka v\u0161ichni krom\u011b t\u011bch nejzabezpe\u010den\u011bj\u0161\u00edch. Ale jak se ukazuje, ani ti nemaj\u00ed ve sv\u011bt\u011b, kde v\u00fdrazn\u011b rychle postupuje klimatick\u00e1 krize, tak docela vyhr\u00e1no.<\/p>\n

\"\"<\/p>\n

Dal\u0161\u00edm p\u0159\u00edzna\u010dn\u00fdm motivem je ur\u010dit\u00e1 n\u00e1bo\u017eensk\u00e1 \u010di duchovn\u00ed rovina. N\u011bkte\u0159\u00ed lid\u00e9 hledaj\u00ed v kouli symbol sp\u00e1sy, jin\u00ed p\u0159\u00edznak bl\u00ed\u017e\u00edc\u00edho se konce sv\u011bta, objevuj\u00ed se kazatel\u00e9, jac\u00edsi n\u00e1bo\u017een\u0161t\u00ed interpreti \u010di zv\u011bstovatel\u00e9 nov\u00e9ho \u0159\u00e1du. Jakou roli hraje v Prasklin\u00e1ch tahle dimenze?
\n<\/strong>Mysl\u00edm, \u017ee \u0159ada z\u00a0n\u00e1s by v\u00a0\u017eivot\u011b cht\u011bla za\u017e\u00edt n\u011bco, co n\u00e1s p\u0159esahuje \u2013 n\u011bco, co \u010dlov\u011bku dod\u00e1 pocit, \u017ee existuje ur\u010dit\u00e1 vy\u0161\u0161\u00ed sf\u00e9ra. Jako ateistka si mysl\u00edm, \u017ee existuje p\u0159edev\u0161\u00edm tenhle sv\u011bt a vztahy, kter\u00e9 si tu vybudujeme, ale vlastn\u011b trochu z\u00e1vid\u00edm lidem, co v\u011b\u0159\u00ed v\u00a0boha nebo n\u011bjakou jinou entitu, podle jej\u00edch\u017e pravidel funguje vesm\u00edr.
\nVzpom\u00edn\u00e1m si na jeden ve\u010d\u00edrek na koleji, kdy dva kamar\u00e1di nafingovali s\u00a0pomoc\u00ed um\u011bl\u00e9 krve, \u017ee jednomu z\u00a0nich z\u00e1zra\u010dn\u011b zmizelo zran\u011bn\u00ed. Bylo to u\u017e pozd\u011b v\u00a0noci, v\u0161echno bylo d\u00e1vno vypit\u00e9, a jedna moje spolu\u017ea\u010dka jim proto snadno uv\u011b\u0159ila. \u0158\u00edkala, \u017ee je to z\u00e1zrak a \u017ee na\u0161e \u017eivoty u\u017e nikdy nebudou takov\u00e9 jako d\u0159\u00edv. Mysl\u00edm, \u017ee v\u00a0tu chv\u00edli byla \u0161\u0165astn\u00e1 a musela se pak c\u00edtit dost hrozn\u011b, kdy\u017e zjistila, \u017ee to byl jen vt\u00edpek.
\nPostavy v\u00a0Prasklin\u00e1ch by podobn\u011b r\u00e1dy v\u011b\u0159ily tomu, \u017ee existuje n\u011bjak\u00e9 jednoduch\u00e9 \u0159e\u0161en\u00ed, kter\u00e9 najednou dod\u00e1 jejich \u017eivot\u016fm p\u0159esah. Ten p\u0159itom nen\u00ed nedosa\u017eiteln\u00fd; jen je v\u00a0n\u011b\u010dem jin\u00e9m, ne\u017e si mysl\u00ed. A koule v\u00a0tomhle p\u0159\u00edpad\u011b ur\u010dit\u011b nen\u00ed \u0159e\u0161en\u00ed.<\/p>\n

Cel\u00fd rom\u00e1n se odehr\u00e1v\u00e1 ve snov\u00e9, surrealistick\u00e9 atmosf\u00e9\u0159e. Co pro v\u00e1s vyjad\u0159uje?
\n<\/strong>To souvis\u00ed s\u00a0t\u011bmi frustracemi, \u00fazkostmi a probl\u00e9my, kter\u00e9 se tak p\u0159ekotn\u011b derou na povrch. Je toho najednou tolik, \u017ee postavy maj\u00ed \u010dasto pocit, jako by se d\u00edvaly na cosi, co se jich net\u00fdk\u00e1 a co je podivn\u011b cizorod\u00e9. Samy jen t\u011b\u017eko v\u011b\u0159\u00ed, jak\u00fdm sm\u011brem se sv\u011bt ub\u00edr\u00e1.
\nZaj\u00edmaly m\u011b momenty, kdy je tohle odcizen\u00ed zvl\u00e1\u0161\u0165 siln\u00e9, n\u011bkdy skoro a\u017e nesnesiteln\u00e9. Tenhle odstup, kter\u00fd je z\u00e1rove\u0148 spojen\u00fd se snahou vyl\u00ed\u010dit vnit\u0159n\u00ed sv\u011bt hrdin\u016f co nejplasti\u010dt\u011bji, se potom odr\u00e1\u017e\u00ed i ve funkci a p\u0159\u00edstupu vyprav\u011b\u010de, jen\u017e si takt\u00e9\u017e udr\u017euje ur\u010dit\u00fd distanc.<\/p>\n

Postavy tak\u00e9 \u010dasto jednaj\u00ed bez n\u011bjak\u00e9 jasn\u00e9 motivace, iracion\u00e1ln\u011b, dost\u00e1vaj\u00ed se do absurdn\u00edch situac\u00ed. M\u00e1 to za c\u00edl pouk\u00e1zat na nezdravou situaci ve spole\u010dnosti, nezdrav\u00e9 kolektivn\u00ed nalad\u011bn\u00ed?<\/strong>
\nTa absurdita a iracionalita jsou do jist\u00e9 m\u00edry zv\u011bt\u0161eniny toho, co zn\u00e1me i ze sv\u00fdch \u017eivot\u016f. B\u011bhem psan\u00ed jsem se zam\u011b\u0159ovala hlavn\u011b na v\u00fdsledn\u00e9 jedn\u00e1n\u00ed postav \u2013 a celkem svobodn\u011b p\u0159eskakovala jednotliv\u00e9 pochody, kter\u00e9 k\u00a0takov\u00fdm v\u00fdbuch\u016fm vnit\u0159n\u00ed nebo vn\u011bj\u0161\u00ed agrese vedly. R\u00e1da bych, aby si tohle \u010dten\u00e1\u0159i a \u010dten\u00e1\u0159ky dovedli zaplnit sami, a to podle vlastn\u00edch zku\u0161enost\u00ed s\u00a0t\u00edm, kdy se c\u00edtili ztracen\u00ed, bezmocn\u00ed nebo jednodu\u0161e vztekl\u00ed \u2013 a nev\u011bd\u011bli co d\u011blat. Ale samoz\u0159ejm\u011b ch\u00e1pu, \u017ee takov\u00fd postup nen\u00ed pro ka\u017ed\u00e9ho \u2013 n\u011bkoho to du\u0161evn\u011b p\u0159\u00edli\u0161 vy\u010derp\u00e1v\u00e1, jin\u00e9ho to prost\u011b nebav\u00ed a na tuhle hru p\u0159istupovat nechce.<\/p>\n

Ani\u017e bychom prozrazovali\u2026 je b\u00edl\u00e1 koule metaforou? Co pro v\u00e1s samotnou p\u0159edstavuje?
\n<\/strong>Jak \u0159\u00edk\u00e1 refr\u00e9n pr\u00f3zy: \u201eKoule z\u016fst\u00e1v\u00e1 st\u00e1le stejn\u00e1 ke v\u0161emu zcela nete\u010dn\u00e1.\u201c Koule je p\u0159edev\u0161\u00edm jak\u00e9si projek\u010dn\u00ed pl\u00e1tno \u2013 ka\u017ed\u00fd by v\u00a0n\u00ed cht\u011bl vid\u011bt n\u011bco jin\u00e9ho, ka\u017ed\u00fd od n\u00ed n\u011bco jin\u00e9ho o\u010dek\u00e1v\u00e1. Z\u00e1rove\u0148 je to takov\u00fd nep\u0159\u00edjemn\u00fd, protivn\u00fd akceler\u00e1tor potla\u010den\u00fdch probl\u00e9m\u016f. A v\u00a0neposledn\u00ed \u0159ad\u011b princip, kter\u00fd vzdoruje v\u0161em jednozna\u010dn\u00fdm vysv\u011btlen\u00edm.<\/p>\n

Praskliny tak\u00e9 poukazuj\u00ed na n\u011bkter\u00e9 soudob\u00e9 spole\u010densk\u00e9 jevy \u2013 odcizenost korpor\u00e1tn\u00edho prost\u0159ed\u00ed, syndrom vyho\u0159en\u00ed, bezsmyslnost pr\u00e1ce nebo nadu\u017e\u00edv\u00e1n\u00ed antidepresiv. Kter\u00e9 z nich vn\u00edm\u00e1te jako nejpal\u010div\u011bj\u0161\u00ed?
\n<\/strong>To takhle nedok\u00e1\u017eu \u0159\u00edct \u2013 nem\u011bla jsem \u017e\u00e1dnou hierarchii, podle kter\u00e9 bych postupovala. Nem\u011bla jsem dokonce ani pl\u00e1n, \u017ee se zrovna tyhle jevy v\u00a0p\u0159\u00edb\u011bhu objev\u00ed. P\u0159i\u0161ly a\u017e spolu s\u00a0postavami, u kter\u00fdch jsem v\u011bd\u011bla, \u010d\u00edm si pro\u0161ly a co je \u010dek\u00e1. T\u00edm p\u00e1dem jsem cht\u011bla popsat tak\u00e9 prost\u0159ed\u00ed a kontext, ve kter\u00e9m se hrdinov\u00e9 pohybuj\u00ed. My v\u0161ichni jsme p\u0159ece v\u00fdrazn\u011b ovlivn\u011bni t\u00edm, v\u00a0jak\u00e9 socioekonomick\u00e9 situaci se pr\u00e1v\u011b nach\u00e1z\u00edme, nen\u00ed to n\u011bco, co by se dalo jednodu\u0161e \u201eodmyslet\u201c.<\/p>\n

M\u00e1te zku\u0161enosti se sc\u00e9n\u00e1\u0159i, s rozhlasov\u00fdmi hrami, pov\u00eddkami, p\u00ed\u0161ete tak\u00e9 pro d\u011bti. Jak jste se popasovala s formou rom\u00e1nu?
\n<\/strong>To nech\u00e1m na posouzen\u00ed \u010dten\u00e1\u0159\u016f a \u010dten\u00e1\u0159ek. U Prasklin jsem nicm\u00e9n\u011b od za\u010d\u00e1tku v\u011bd\u011bla, \u017ee p\u016fjde o rom\u00e1n \u2013 nevid\u011bla jsem je ani jako film, ani jako rozhlasovou hru nebo t\u0159eba komiks.<\/p>\n

Jak se daj\u00ed zku\u0161enosti sc\u00e9n\u00e1ristky vyu\u017e\u00edt p\u0159i psan\u00ed pr\u00f3zy?
\n<\/strong>Pom\u00e1h\u00e1 asi schopnost p\u0159em\u00fd\u0161let nad strukturou \u2013 ale nemysl\u00edm, \u017ee by to byla schopnost vlastn\u00ed pouze scen\u00e1rist\u016fm a scen\u00e1ristk\u00e1m. Na za\u010d\u00e1tku psan\u00ed Prasklin jsem nicm\u00e9n\u011b m\u011bla ur\u010ditou kostru, kudy se bude p\u0159\u00edb\u011bh ub\u00edrat. Ta mi v\u00a0mnoh\u00e9m pomohla, ale \u010dasto jsem se od n\u00ed odkl\u00e1n\u011bla, \u0159adu v\u011bci jsem nepou\u017eila nebo naopak p\u0159idala. V \u00fapln\u00e9m prvopo\u010d\u00e1tku pro m\u011b osnova p\u0159edstavovala takov\u00e9 p\u0159\u00edru\u010dn\u00ed sv\u011btlo, kter\u00e9 mohu pou\u017e\u00edt, kdybych p\u0159\u00edli\u0161 bloudila ve tm\u011b.<\/p>\n

Prozrad\u00edte n\u00e1m, na \u010dem moment\u00e1ln\u011b pracujete, \u010demu se v\u011bnujete?
\n<\/strong>Je\u0161t\u011b letos p\u0159ed V\u00e1noci vyjde v nakladatelstv\u00ed Lipnik grafick\u00e1 novela Spiritistky, na kter\u00e9 jsem coby scen\u00e1ristka pracovala s ilustr\u00e1torkou Juli\u00e1nou Chomovou. Na to se hodn\u011b t\u011b\u0161\u00edm, komiks vznikal n\u011bkolik let.
\nJinak m\u00e1m rozepsanou dal\u0161\u00ed pr\u00f3zu, ale v\u00edc o n\u00ed budu schopn\u00e1 \u0159\u00edct, a\u017e ji dokon\u010d\u00edm. M\u00e1m v\u017edycky trochu obavy mluvit o rozepsan\u00fdch textech \u2013 p\u0159ipad\u00e1 mi to trochu p\u0159ed\u010dasn\u00e9, asi jako za\u010d\u00edt si pl\u00e1novat jm\u00e9na budouc\u00edch d\u011bt\u00ed hned po prvn\u00edm rande.<\/p>\n

D\u011bkuji za rozhovor!
\nIvana Oberhofnerov\u00e1<\/p>\n","protected":false},"excerpt":{"rendered":"

Praskliny za\u010d\u00ednaj\u00ed mimo\u0159\u00e1dnou ud\u00e1lost\u00ed: na louku pobl\u00ed\u017e st\u0159edn\u011b velk\u00e9ho m\u011bsta se snese b\u00edl\u00e1 koule, velk\u00fd levituj\u00edc\u00ed a sv\u011bt\u00e9lkuj\u00edc\u00ed \u00fatvar. P\u0159\u00edtomnost koule, jej\u00ed\u017e p\u016fvod neum\u00ed nikdo vysv\u011btlit, pochopiteln\u011b vzbud\u00ed ohromnou senzaci. […]<\/p>\n","protected":false},"author":6,"featured_media":14630,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[8],"tags":[],"class_list":["post-14629","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rozhovor"],"acf":{"related_products":null},"_links":{"self":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/14629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/comments?post=14629"}],"version-history":[{"count":0,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/posts\/14629\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media\/14630"}],"wp:attachment":[{"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/media?parent=14629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/categories?post=14629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luxor.cz\/blog\/wp-json\/wp\/v2\/tags?post=14629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}